Showing posts with label 1980. Show all posts
Showing posts with label 1980. Show all posts

Thursday, May 26, 2011

Breaker Morant

Bruce Beresford, Australia, 1980 (8.8*)
Memorial Day War-athon #2
This the story of a war-time court martial, and is based on true events during the closing stages of the Second Boer War (1899-1902). The officers are members of a mostly Australian unit called the Bushveldt Carbineers, created to fight the Boer commandos by employing their own tactics against them.

The charge is that the three men involved here committed murder by executing captured Boers, and also perhaps executed a civilian non-combatant. Their defense is that they were acting in accordance with standing orders, because the operational nature of the Carbineers would be hampered by having to keep prisoners under guard. Also, anyone escaping would be able to give their location and other information. Naturally, these are verbal orders only, so it's all based on heresay.

The British command sees the incident as a chance to give morale to the Boer side, embarassing their side, so command clearly wishes to portray the three protagonists as rogue elements and sacrifice them for political expediency. Similar to Kubricks Paths of Glory, this film examines the military practice of high command often sacrificing subordinates to cover for their own failures and indiscretions, in this case violating international accords by executing prisoners of war. Through the trial, we get the see the story told as flashbacks during witness testimony.

The overall quality of this film is impeccable, as is the cast - five were nominated for Australian Film Institute (AFI, equivalent of our academy awards) awards for acting: Jack Thompson, Bryan Brown won (for lead and supporting respectively), also nominated were Edward Woodward, Lewis Fitz-Gerald, and Charles 'Bud' Tingwell.

Winner of 12 awards, including 10 AFI awards, it's only 3 AFI losses were to other actors in the same film. This is both a powerful war film and a gripping legal film with a courtroom trial.

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Sunday, May 1, 2011

A Town Like Alice

David Stephens, 1980 (9.5*)
A group of British women are taken prisoner by the Japanese in Malaya during WW2, and, as it's against their honor to imprison them, they force them on an endless march to nowhere. Jean Paget, wonderfully played by Helen Morse, takes charge and provides the strength that keeps some alive, while many die as not all are fit enough for a forced march.

At one point, they meet a young Australian soldier, Joe Harman (Bryan Brown in a star-making performance), and the two become friends. He tries to help the women, and as a result they are separated by their brutal captors and the man is tortured for showing simple human compassion.

After the war, the two seek each other out to continue to explore the feelings they once had that were sparked during a time of crisis, which they were unable to explore due to the wartime situation. This time, they are separated by half the globe, as Jean is back in civilized England, and Joe is ranching in the middle of the Australian outback.

This is based on a popular best-seller by author Nevil Shute (On the Beach), and that novel was based on true events. This is a romance of epic proportions, beautifully filmed by the BBC (for Masterpiece Theater) in a five-hour mini-series in six parts, which gave the novel the proper amount of length and detail. This is much better seen in one sitting than broken up over weeks. Winner of 6 awards

For my money, this is a much better (and less soapy) romance than Gone With the Wind; this is about self-sacrifice for others, not self-centered gratification. The only other romantic epic that's even comparable is the BBC (Masterpiece Theater) miniseries Brideshead Revisited, from the Evelyn Waugh novel, ironically released the same year, winner of 11 awards, 28 nominations, seven BAFTAs. You should also enjoy the underrated epic romance Australia, from Baz Luhrmann, starring Hugh Jackman and Nicole Kidman, a film so large that it's a western and a war film.

Note: The title refers to the desert oasis of Alice Springs , the only green spot in the middle of the huge Australian desert due to a natural spring. This has a rating of 8.1 at IMDB (good enough for the all-time top 250), but only has 452 user ratings - that's unreal for one of the best films ever made, and one of the best 10 miniseries ever made for tv.

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Tuesday, January 18, 2011

Atlantic City

Louis Malle, 1980 (8.8*)
My favorite film from French director Louis Malle, this one is a crime story in English. Burt Lancaster turns in one of his best performances as a flunkie to an aging actress retired in Atlantic City. His passions are flamed by neighbor Susan Sarandon, a casino worker with little more than dreams to keep her going, and who bathes her bare breasts with lemons in front of the window.

Suddenly their lives are turned upside down by an ex of Sarandon's, who shows up after pulling a drug heist. This is a gritty, realistic look at romance on the seedier side, with people barely surviving on the borderlines, yet who have the same universal dreams as anyone else. Nominated for five academy awards.

Quote: You should've seen the Atlantic back then - it was really something. (Burt Lancaster)

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Thursday, December 11, 2008

The Stunt Man

Richard Rush, 1980 (7.7*)
Director Rush garnered an Oscar nominations for directing and screenplay for this stylish film about filmmaking, while Peter O’Toole, playing the director of the film being made (a mediocre B-film at that), was nominated for Best Actor. Steve Railsbeck plays a Vietnam vet on the lam, and he chances upon O’toole’s location film set just as a stunt man dies filming a risky stunt, a car crash off a bridge into a river. O’Toole offers the ex-con a choice: do the stunts for the film or he’ll turn him in, so Railsbeck becomes the new stunt man. There’s some exciting stuff here about filmmaking, and reality vs. fantasy and making your reality, etc… but don’t look for anything more heady than just good entertainment.

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Monday, September 8, 2008

All That Jazz

Dir: Bob Fosse, 1980 (8.0*)
Palm d'Or (Cannes)
Fosse’s most self-involved film, so it may delight some, bore others, but it’s certainly autobiographical. Roy Scheider plays choreographer/director Joel Gideon who works hard, balances a heavy workload (completing the editing of a movie, which is Lenny, putting together a new musical, while trying to keep in touch with his only daughter requiring attempting to get along with his ex-wife and his new lover (Anne Reinking), a dancer in his musical), and he does all this with smoking, drinking, and popping pills. Eventually exhaustion and heart attack follow, which gives him visions of death’s angel (Jessica Lange), and musical numbers based on his life, kind of like this movie. Features some of his best dance scenes (Air Erotica), yet also stretches audience credibility. Received eight Academy Award nominations, winning four Oscars.
Quote: ...a fine humanitarian, and a close personal friend for many years (Ben Vareen)
At the Oscars, someone said, "when he died, an autopsy revealed that Fosse's ego had spread throughout his entire body."

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Tuesday, September 2, 2008

Star Wars Trilogy

Dir: George Lucas, Irvin Kirshner, Richard Marquand (1977-83) (8.9*)
These are the original three, though I really only think The Empire Strikes Back was a very good SciFi film; ironically, it was the one whose screenplay was co-written by a SF author, Leigh Brackett. That was the one that introduced Yoda, the land walkers, the ice planet. The first was good, but little more than a western in space. The special effects increased technically with each film, so that in Return of the Jedi we had a full-on space war raging with hundreds of space ships. I can't get used to the "new" titles (A New Hope?) and re-sequencing, so now the "original" three are 4-6, the "new" three are 1-3... Doh! Did Homer work on these? The casting of James Earl Jones as Darth Vader, and Alec Guinness as Jedi knight Obi-won (he admitted the dialogue "was inane") was a brilliant coup, most of the rest are either sleepwalking (Mark Hamill) or overacting (Harrison Ford, Carrie Fisher). Still, a lot of fun, if a bit flippant at times. Nearly all technical, but 7 Oscars total

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Saturday, August 30, 2008

Raging Bull

Dir: Martin Scorsese, 1980, bw (9.1*)
AFI and Time Top 100

This Martin Scorsese sports classic was shot in black & white and is a masterpiece of the colorless, a decision which places the film during its own era, when many of us saw boxing weekly on tv. Robert De Niro, in his best (Oscar winning actor) performance, and one for all time, put on the boxing moves as well as 40 lbs in order to play the older Jake LaMotta after retirement, and also the younger LaMotta in the ring in some of the best staged boxing in film history.
This terrific docudrama covers about 20 yrs in LaMotta’s life; Joe Pesci did a good job as his brother and manager, but Cathy Moriarty was a stunner as his wife Vicky and was robbed of an Oscar, as was Scorsese as best director. Many now consider this the best sports film ever. 8 nominations, including Picture and Director, 2 Oscars (Actor, Film Editing)
Quote: You never knocked me down, Ray, never…

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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