Showing posts with label Francis Ford Coppola. Show all posts
Showing posts with label Francis Ford Coppola. Show all posts

Wednesday, October 27, 2010

Youth Without Youth

Francis Ford Coppola, 2007 (8.3*)
Francis Coppola's first directorial effort in ten years is a complex, science fiction edged story based on the novel of Romanian author Mircea Eliade. Underused veteran actor Tim Roth, who is always interesting, plays an elderly linguistics expert, Dominic, whose true love has died, and his own research is at a standstill, when he's struck by lightning while crossing the street one night in Austria in the 30's.

He emerges from the burns a much younger man, and apparently oblivious to aging. His first task is to avoid Nazis and scientists, for he realizes his freedom and life would effectively be over. Dominic eventually meets a woman whose own catharsis is born of lightning, so he finds a new purpose in his research.

Much of the film uses the science of linguistics - languages used in the film include English, Romanian, French, Italian, Mandarin, German, Russian, Latin, Armenian, and ancient (and authentic) Sanskrit, Egyptian, and Babylonian.

This film is another that is not straightforward chronologically, and therefore will anger many viewers who need a nice neat storyline. Here the effort will be rewarding to the more diligent viewer, as the haunting and original story will linger for days afterward.

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Thursday, January 29, 2009

Tucker: The Man and His Dream

Francis Ford Coppola, 1988 (8.7*)
This is the true story of Preston Tucker, American entrepreneur, engineer, and inventor. He saved US lives and made his fortune by designing the ball turret on the B-52 bombers that allowed the machine gunners easy mobility. After the war, Tucker, played with joyous optimism by Jeff Bridges, wants to build a radically different auto for the public: one that’s safe, yet also stylish. His design included things like disk brakes, high beam lights, side crash protection, seat belts. This film covers the period of this design when Tucker challenged the big three automakers and offered Americans something different. When the going gets tough, Tucker starts singing the jazz song "Hold That Tiger!" and grins. This feels a lot like a Frank Capra film (just look at the dvd cover), and is one of Coppola’s more enjoyably optimistic yet often overlooked movies.

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Monday, September 8, 2008

Peggy Sue Got Married

Dir: Francis Ford Coppola, 1986 (8.5*)

One of Coppola’s best, an underrated comedic fantasy. Kathleen Turner (Oscar nominated) has the title part, about an unhappily married woman, whose husband Nicholas Cage, her high school sweetheart, has turned out to be a less-than-stellar mate. At their 20-yr h.s. reunion, she falls and hits her head and apparently time travels back to high school, where she can make her important decisions again, like going out with that weird poet biker dude. Of course, all her friends now think she’s mental, as does Cage, because she has her memory of being "all grown up", so she’s pretty sarcastic and world-weary for a teenage girl. Cage is pretty funny in his part as well, kind of perpetually adolescent, and definitely goofy. It’s been compared to Capra for its homey virtures and simplicity. You’ll see Helen Hunt, Joan Allen, and Jim Carrey in small parts.

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Sunday, August 31, 2008

The Conversation

Dir: Francis Ford Coppola, 1974 (10*)
Palm d’Or (Cannes)

If not for a film called Godfather II, this film would likely have won best picture itself in 74 (it was nominated), and may arguably be Coppola’s best; it’s certainly his tightest, and did win the grand prize at Cannes. Gene Hackman plays a electronic bugging expert, usually hired to scope out corporate secrets, often requiring ingenious methods to record conversations, like multiple eavesdroppers, some on the move. He unwittingly discovers that perhaps someone who hired him has committed a murder, which he discovers examining conversations he bugged. Saying very much would spoil this excellent, tense crime film with many implications. This is my favorite Gene Hackman performance, and most subtle, that just goes deeper and deeper as it progresses.

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Wednesday, August 27, 2008

The Godfather

Dir: Francis Ford Coppola, 1972 (9.9*)

Best Picture (AA)
AFI Top 100
One of the great American crime films, poetic and dreamlike, thanks to the cinematography of Vittorio Storraro, who began with Bernardo Bertolucci in Italy (see their classic The Conformist). From Mario Puzo's novel that chronicles the life of a Mafia don (Corleone) and his family (led by sons Al Pacino and James Caan, couseled by Robert Duvall), Best Actor winner Marlon Brando turned in a surprisingly effective yet unique performance, actually stuffing pits into his cheeks to affect his speech. The film upset Cabaret for Best Picture, which had won 8 Oscars (a record for non-Best Pics) to Godfather's 2 at that point, the audience gasped, realizing that perhaps Price Waterhouse got an offer they couldn't refuse! 3 Oscars
Quote: I made him an offer he couldn't refuse. (Marlon Brando)

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The Godfather Part II

Dir: Francis Ford Coppola, 1974 (10*)

Best Picture (AA)
AFI Top 100
That rarest of films: a sequel better than the original. This film both continues the original and also precedes it in history with brilliant sequences of a young Corleone in both Italy and America, played by Oscar-winning Robert De Niro speaking Italian. The film loses Brando, but introduces acting professor Lee Strasbourg in a terrific Oscar-nominated part as rival don Hyman Roth, and brings the characters of Al Pacino as new Don, Michael, and John Cazale (as brother Alfredo) to full development. This is a truly riveting story, and a near perfect epic film. The two were put together and re-edited for an 8-hr tv miniseries by Coppola, called "The Godfather Saga", very much worth seeing. 8 Oscars

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Apocalypse Now!

Francis Ford Coppola, 1979 (9.8*)
Palm d'Or (Cannes )
Loosely based on the Joseph Conrad novella Heart of Darkness, Coppola's most unique film is a visual feast of the Vietnam war, a near dreamlike excursion into the soul using the metaphor of the boat trip deep into the jungle, where civilized men fear to tread.

Perhaps the worst artistic choice is  Martin Sheen's unnecessary narration, which is even grating at times, and a huge Marlon Brando was a puzzlement (Coppola "didn't know what to do with him"). However, several exciting sequences make up for it and are some of the best war footage put on film, notably the dawn helicopter raid on the village at the river's mouth, done to the Wagner "Ride of the Valkyries" music; but my favorite scene is the Do Lung Bridge at night, in one soldier's words "the asshole of the world", a nightmare trip of party lights, explosions, gunfire, and screams. Robert Duvall as a gung-ho air cavalry colonel was nominated for a supporting actor Oscar and should have won.


Watch the longer Redux version if you haven't, it restores some deleted scenes from the theatrical release; I liked it even more, especially a leisurely sequence at a French colonial plantation. This version seems more like a slow boat trip up a river.

Note: Coppola felt he had no ending. He even changed it once after a pre-screening with an audience, before the general release. Currently, the ending of the Redux version is different from the ending of the original theatrical version; I don't think in either case it changes much - this film is about a journey into the darkness of the soul.

Companion Film: the excellent documentary using footage filmed by wife Eleanor Coppola, Hearts of Darkness and her book about the location filming, Notes.

Quote: "I love the smell of napalm in the morning; it smells like.... victory" (Robert Duvall)
Quote2: "Charlie don't surf!" (Robert Duvall)
Quote3: "Run, Charlie!" (Larry Fishburne)
Quote4: "Soldier, who's in charge here?" - "Ain't YOU?"
Quote5:
"Damn, you stepped on my face!"
"I thought you were dead"
"Well, you thought wrong, dammit!"

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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