Half Moon

aka Niwemang
Bahman Ghobadi, France-Iraq-Iran, 2006 (8.6*)
A legendary elderly Kurdish musician named Mamo (Ismail Ghaffari), living in Iran, has finally received government permits, after months of trying, to travel to Iraqi Kurdistan for a final reunion concert with his sons.

They set out on the journey in a derelict bus, but Mamo feels he needs a female singer (Golshifteh Farahani), who are banned in Iran, one he remembers who has the 'voice of a siren'. This excursion to a town of exiled female singers leads to one of the most unforgettable scenes in all of film, as hundreds of women line the rooftops of the town and sing in unison. This scene alone makes this film a must-see for all cinephiles, as there is nothing like it in any western film.

Mamo's journey becomes a metaphor for life, with the old bus becoming a symbol for old, failing bodies. Ghobadi's films are eye openers for those of us in the west - his Turtles Can Fly is perhaps the best anti-war film ever made, in which he used real Kurdish war orphans as the cast to tell an unforgettable and poetic tale.

Read more...

Turtles Can Fly

Bahman Ghobadi, 2004, Iraq-Iran-France (9.7*)
This is an amazing anti-war film which takes place in a Kurdish village on the border of Iraq and Turkey, just as the 2004 invasion of Iraq by the U.S. takes place. The star of the film is charismatic Soran Ebrahim, as a kid called Satellite because he sets up those dishes for remote areas who otherwise would have no tv. He's also the self-appointed leader of about 200 war orphans, organizing them into work details who earn most of their money by disarming land mines and reselling them, and harvesting spent artillery shells from two decades of war in the area for their scrap metal value. Into this village arrives a beautiful young girl (Ajil Sabari), taking care of her armless brother (who does amazing things with his teeth), and a near-blind infant her brother thinks deserves someone's care, who needs an ankle leash to keep him from wandering away.

This film is amazing for the amount of hope shown by the kids, all but ignored by the mostly shepherding adults, and how perseverance and ingenuity can allow survival in the harshest of conditions, amid a chaotic, war-torn environment. The Kurds are the largest ethnic group on earth without their own country or government, and they have been constantly attacked and persecuted by both Turkey and Iraq. This is one of the more memorable anti-war films ever made and should have a much wider audience, as it's been compared to Schindler's List for emotional impact.

All of the child actors were actual refugees, and this is the first film made in Iraq after the fall of Saddam Hussein. Red Fish, shown throughout the film, are a symbol of the Iranian new year and symbolize life within life. This was Iran's submission for the Best Foreign Film category at the 2004 Oscars, and won 15 international awards out of 19 nominations.

Awards page at IMDB

Read more...