Ugetsu

aka Ugetsu Monogatari
Kenji Mizoguchi, 1953, Japan, bw (9.1*)
This is one of the greatest Japanese cinema classics. Moody, atmospheric, bewitching, you'll be mesmerized by the beautiful visuals and the camera of director Kenji Mizoguchi which seems to always be in motion. The story is about some village peasants in war-torn 16th century Japan. A farmer who also is a potter (Machiko Kyo) for extra income must flee an army with his wares to sell them in a nearby city, accompanied by another couple from the village. This begins an excursion into ambition, desire, and delusion with unforeseen consequences.

The story's plot, which has some unexpected twists, is hard to describe without spoilers, so suffice to say that this is perhaps the best Japanese film after Kurosawa's The Seven Samurai. Many consider Mizoguchi's Sansho the Bailiff his masterpiece, but I much prefer this one. It reminds me of the German expressionists, like Murnau and Lang, with perhaps less surrealism and a more modern camera technique, which appears to be often on a moving crane. Fans of classic cinema should love this one, which is a masterwork of modern fables. Winner of the Golden Lion at the Venice Film Festival.

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The Twilight Samurai

Yoji Yamada, Japan, 2002 (9.2*)
This is a beautifully simple story of a samurai in 1870's Japan who has grown weary of battle and who now just wants to take care of his family. Seibei, played by Hiroyuki Sanada  is just a low-paid storeroom worker at the clan castle helping keep up with the emergency food supply in case of war or siege, and is derided by his fellow workers as the "Twilight Samurai" because he no longer even goes out drinking and carousing with them.

However, Seibei's wife has died from consumption and he takes care of his two daughters and aging mother by himself, and is content with this. His best friend, whom he grew up with, is a more successful samurai, and his sister also grew up with Seibei, so she becomes involved again with Seibei's family after moving back to her brother's house after a bitter marriage.

This is not an action samurai film, with only two small man-to-man swordfights, but is an intelligent elegy to an entire culture in its last days. There's some beautiful scenery here with Mt. Fuji in the background, flowering cherry trees and azaleas, and classical Japanese architecture. This story will grow on you more and more after you've seen it, one of the best samurai films.

37 Awards overall (with just 43 nominations), including going 12 for 14 at the Japanese Academy Awards

Quote: In order to kill a man, you must have the ferocity of an animal and a carelessness for one's own life.

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Samurai 1: Musashi Miyamoto

Dir: Hiroshi Inagaki, Japan, 1954 (8.4*)

Best Foreign Film (AA)

This samurai epic has some breathtaking cinematography, that alone elevating it a class above the average Japanese film, deservedly got an Oscar for Foreign Film... the director Hiroshi Inagaki is the star here, the actors, including the famous Tishiro Mifune, are truly just pieces of his vision which includes the poetic, yet overwhelming landscape. The only drawback, other than slowish pacing, is that the film (from Criterion) is in fullscreen, not wide. The first part of a trilogy by Inagaki, it comes as a set also.

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Seven Samurai

Akira Kurosawa, 1957, Japan, bw (10*)
This masterful samurai epic (well over 3 hrs) is really a treatise on medieval war tactics. The story is about a small farming village that annually gets invaded and robbed by a small cavalry gang, usually just after harvest, when they steal most of the food but leave the villagers just enough for survival. Eventually they’ve had enough, and send a few men into a nearby town to recruit unemployed and disgraced samurai, led by master actor Tishiro Mifune, to help them defend themselves; they find seven in all.

The first half is slow but told with lots of humor, the second half is an exciting war exercise and a primer on how action films should look. The innovative camerawork had never been seen, and influenced every action film since. Blurred action, filmed during a rainstorm with mud and water flying (see photo below), rapid edits, handheld cameras, and extreme closeups - the viewer feels thrown headlong into the middle of the action itself. Retold as western The Magnificent Seven, and the sci-fi film, Battle Beyond the Stars. Kurosawa’s masterpiece is one of the best in cinema history.

Now #2 (rising from 7th) all-time on our compendium of Top Ranked 1000 Films on the Net, 2011 Edition

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