Showing posts with label Espionage. Show all posts
Showing posts with label Espionage. Show all posts

Tuesday, February 28, 2012

The James Bond Films


The James Bond Films (aka 007)

The James Bond series of films is based on the wildly successful series of novels by British author Ian Fleming, which helped popularize the genre of espionage novels by creating a fictional intelligence agent whose adventures resembled those of swashbuckler films of the 30’s.

The novel Casino Royale was author Ian Fleming’s first, and introduced the world to his glamorous and amorous debonair spy, James Bond. He is given the code name 007, the double-ought series of agents being those with a license to kill in the line of duty. This novel largely revolves around the high-stakes casino card game of baccarat, in which two players go head-to-head like a duel, with money rather than blood at stake. This novel being more cerebral and involving less action and womanizing, it was not filmed until 2006 – more on this film follows below.

The first novel transferred to film was Doctor No, and made an international star out of little-known Sean Connery. Producer Albert Broccoli’s wife had noticed Connery in the film Darby O’Gill and the Little People and suggested to her husband that he would make a dashing and attractive spy. Broccoli wisely followed his wife’s advice, and Connery created a handsome and macho hero equally attractive to both genders. The film also introduced a bikin-clad Ursula Andress to the world and she became the archetype for the subsequent series of what are now called Bond Women.

The second film, From Russia With Love (1963), remains my favorite, as Bond is assigned to woo a secretary at a Russian embassy in Istanbul, Turkey, who has agreed to help the British obtain a Russian cryptology decoding machine, which she will turn over to Bond. To me, this is the most realistic of all the Bond films, and introduced the now famous props of spy gadgets that became a mainstay of later 007 films. In this film, it took the form of a briefcase that had disabling gas, hidden money, and weapons, all of which weren’t obvious to the unsuspecting examiner.

After a series of successful Bond films with Connery up through 1968, including the highly popular Goldfinger, he tired of being typecast and let his contract expire. A rather critically successful film was then made with unknown Australian actor George Lazenby, On Her Majesty's Secret Service (1969). This film has some terrific action sequences in its favor, Telly Savalas as the evil villain, and a beautiful post-Avengers Diana Rigg as a Spanish count’s daughter, and who becomes Bond’s only onscreen wife to-date. The film-going public didn’t take to Lazenby in the role, however, and he was cast aside after just one film, which ironically remains superior to any starring the successors to Connery.

The studio, not willing to kill the golden goose, then cast a rather bland and unexceptional Roger Moore as Bond, after an exhaustive series of auditions, one of whom, Pierce Brosnan, was rejected only to be later hired as Moore’s successor. These films are forgettable compared to the Connery vehicles. When Moore became too old, the series was continued with Brosnan, with similar results: a few more un-stellar efforts with more action than plot, usually involving a typical Cold War enemy, some Russian with designs on wreaking havoc with nuclear missiles, or holding the world at ransom using weapons. These were not from novels written by Ian Fleming, which is one reason the plots are lame and stereotypical in comparison.

The series almost died out until the first novel, Casino Royale, was filmed in 2006 after the sudden revival of interest in high-stakes poker on tv. (The title had been previously used in a comedic satire starring David Niven and Woody Allen, but the story had nothing to do with the novel or the series).

Daniel Craig in Casino Royale

That first Bond novel, was devoid of gadgets and violence, and most of it revolved around the high stakes European casino card game baccarat, similar to blackjack in that the player’s goal is a point total that one can’t exceed. In this game a player becomes the bank, and goes against another player head-to-head, so it is the ultimate card game of machismo, much like a medieval duel, with wealth and not blood at stake. The studio re-wrote the story to include lots of action, and the rugged, everyman look of actor Daniel Craig revived the Bond series in popularity.

In fact, this spurred a renewal of interest in casino card games worldwide as the Bond series became popular with a new generation of fans. Those who wondered where Bond got his wealth, which was apparently far above the salary of a government employee, had apparently not read this novel, for his luxurious lifestyle is largely funded by his winnings at baccarat.

Like most games that combine chance and skill, such as the now popular Texas Holdem form of poker, it behooves the average player to first develop a strategy that employs the use of mathmatical odds. Baccarat is not for the novice for it is usually the highest stakes game in any casino. In the Casino Royale remake, Craig as Bond has his card duel with Danish actor Mads Mikkelson, in an intense showdown that will leave one of them financially scarred and with designs of vengence.

If you’re thinking of emulating Bond when playing in any casino games, I highly suggest you first educate yourself with strategies and techniques by reading a lot of baccarat strategy articles. Those who don’t will be at a disadvantage to those who have and those with more experience.

My capsule review of this excellent film is posted at 1000 Dvds to See, Casino Royale (2006)


It’s said that the debonair Bond is based on the real life of agent Sydney Reilly, an émigré from Russia to Ireland at the beginning of the 20th centlury, who created his persona before becoming a spy for England, achieving results for them in getting oil leases in Arabia, and stealing German battleship plans before World War I.

In the PBS miniseries, Reilly: Ace of Spies (1983), we see an international traveler of similar sophistication and a womanizer wherever he goes, often obtaining the affections of women like a bored countess, especially if it can help him gain intelligence needed by the British government. This series made an international star out of Sam Neill, who has gone on to have a fine film career.

If looks as if Jame Bond is here to stay, a superhero in the guise of an everyman, covert intelligence agent. He fuels the imagination of those of us stuck in mundane jobs in one locale as we envy anyone who gets employed to be a globe-trotting adventurer leaving a trail of dead villains and broken-hearted beauties in his wake.

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Thursday, December 15, 2011

Army of Shadows

Jean-Pierre Melville, 1969, France (9.0*)
Based on truth, as both novelist Joseph Kessel and director Jean-Pierre Melville were both in this army themselves. An excellent (and low-key) war film without the histrionics of most, Army in the Shadows takes the French men and women of the Resistance as its theme, at a point near the end of the war when the Resistance movement and Nazi intelligence about its work and staff are both firmly established.

This film will likely give most of the modern filmgoers a history lesson into the daily movements of the Resistance. Here we are shown the more mundane aspects of fighting a war from within, such as the ladies who operated safe houses for members on the run, as the Gestapo can torture enough members to gain intelligence on others. We also see aristocrats whose estates played host to small aircraft used to smuggle collaborators in and out of France. Unfortunately, we also witness the fate of those who crack under pressure or torture.

This a fascinating expose of the gruesome realities of heroism and the struggle against occupying armies, which of course also included moments of hopelessness and failure of nerve, as even the stout feel hidden eyes on every movement. Events test this hidden army, eventually each one finds themselves up against his or her personal limit of bravery and endurance as this struggle continued for years with no end in sight, at least during the time setting of this film.

Led by Simone Signoret in perhaps her best performance, and also starring Paul Meurisse and Jean-Pierre Cassel, this is one of the finest French films for craftmanship of acting and directing, and is Melville’s masterpiece. His crime films are excellent but none pack the emotional or historical weight of this story. You won’t find a better film about the Resistance in all of cinema.

The newly restored version on dvd was released in 2006 and won three new awards. The film has a rating of 8.2 at IMDB, which would place it in the top 250, but it doesn’t have enough ratings yet, with under 8,000 – so it’s rank in our compendium of polls would be much higher than the current 277, it would certainly be in the top 200. At Metacritics, it has a rating of 99, which would place it in the top 10 there, just after the 5-6 perfect 10’s, which include Au Hasard Balthazar (1966) and Lawrence of Arabia (1962).

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Friday, November 18, 2011

The Manchurian Candidate

John Frankenheimer, 1962, bw (8.6*)
#81, Top Ranked 1000 Films, 2011 Update, all polls.

This is the film that set the standard for cold-war thrillers, and also put director John Frankenheimer on the map. The film features a thankfully subdued Frank Sinatra in a dramatic role as a Korean War veteran, who returns to America a changed man. He suspects that a hero from his unit, played by Laurence Harvey, may have been brainwashed by the North Koreans. The problem of course is that the entire story could be in his own imagination, he has no evidence.

As the story unfolds, we find out in short flashbacks a little more of what happened in Korea, while the plot moves toward timed conclusion using the countdown technique, which works well here. One of those 'we have three days to save the free world kind of things', because of a plot already in motion which could have world-shaping implications.

Frankenheimer expertly plays into the hands of the paranoid right-wingers who, led by Sen. Joseph McCarthy in the 50’s, began to suspect a red commie hiding inside every industry and business in the U.S. He creates a nighmarish vision of their worst paranoia, that the communists are able to alter the minds of heroic American citizens and then unleash them on an unsuspecting American public – kind of like what Wall St. has done in the new milennium with even greater success than our enemies imagined.

Frankenheimer was a master at a low-key type of thriller that maintained great tension and apprehension throughout, and events seemed to be moving unhampered toward some bone-chilling conclusion. For me, he went on to make even better thrillers after this one. The Train (1964) bw, with Burt Lancaster, was about a Frenchman trying to stop the Nazis from carting off valuable art treasures back to Germany in a trainload of stolen French culture pilfered from the best museums.

Even better was Seven Days in May (1964) bw, in which Lancaster plays a right-wing Chairman of the Joint Chiefs of Staff who is upset with a left-wing President, expertly played by Fredric March in his last performance, who he feels is weakening the U.S. politically, so he plots a military overthrow of the government, while an officer on his staff, Kirk Douglas, slowly suspects the Chairman. This is eerily similar to the arguments made by the CIA against John Kennedy, who had decimated the branch with massive cutbacks in manpower - Langley was said to resemble a 'ghost town' during his administration.

More recently, Frankenheimer directed the excellent heist film Ronin (1998), featuring Robert De Niro and Jean Reno leading a team to recover a stolen briefcase for a suspected IRA terrorist, Natascha McElhone. This barely noticed film runs rings around the big budget, non-stop car chase films, with an intelligent script that allows for some development of complex characters.

Stick with the original (#81 on the all-time top 1000), the remake with Denzel Washington is ranked 2098th by comparison.

Whoa, is this James Bond or some Korean war vet?

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Monday, August 15, 2011

Farewell

Christian Carion, France, 2009 (8.5*)

This intriguing spy film is more like a John le Carre novel (Smiley's People; Tinker, Tailor, Soldier, Spy; The Spy Who Came in From the Cold), meaning realistic (and relatively slow moving), than a modern action-packed pseudo spy story (a la James Bond). The film actually recounts the true story of a Russian agent in the waning days of the Soviet Union who was dubbed Farewell in the west, a man inside Soviet intelligence who smuggled out important information. This is the thinly disguised fictional filming of the story of the Russian KGB colonel Vladimir Vetrov, who apparently was a lot stranger and impulsive than this film portrays.

His contact was a minor diplomatic liaison at the French embassy, Pierre Froment (Guillame Canet), involuntarily swept into the espionage game without any training, and who also lacked the common sense that most in that profession need to survive. Willem Dafoe has a minor role as a U.S. intelligence officer who fills in Froment on all the info the former is missing due to his low rank. (..and just see if you can spot David Soul in this film!)

In order to prove his veracity, the Russian, Gregoriev, played by Serbian director Emir Kusturica, leaks information to the west that proves that Soviet agents have penetrated the U.S. defense system – they know the locations of major radar installations, the nuclear codes, and even the delivery times of vendors to the White House. His intelligence treasure is the identities of these agents within the U.S., which the Russians call the X Line.

This is an intriguing and riveting story, in spite of some caricatures within the players, such as Fred Ward’s portrayal of Ronald Reagan, who has a few intelligence meetings in this story. Some who know the real story of Vetrov say it’s truly stranger than this fiction – perhaps the filmmakers toned it down to make it more realistic. At any rate, it belongs on the short list of realistic espionage films worth recommending.

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Friday, April 1, 2011

The Company

Mikhael Salomon, 2007 (8.6*)
A rare miniseries from TNT, and one almost well done enough to be from the BBC. The title of course refers to the CIA, and attempts to weave some fictional characters within the framework of about 40 years of CIA history and a few real life characters as well. That's the backdrop anyway, the actual story is about the search for an elusive double agent, codenamed Sasha, an American version of Britisher Adrian Kim Philby, also a character here and portrayed by Tom Hollander.

The period covered is from the start of the Cold War to the fall of the Soviet Union primarily follows three fictional Yale graduates from out of college (class of '54), to their recruitment and years within the CIA. Jack McCauliffe (Chris O'Donnell) and Leo Kritzky (Alessandro Nivola) are rowing partners, and their Russian friend is Yevgeny Tsipin (Rory Cochrane).

This is a very absorbing miniseries, with unfortunately uneven acting. Michael Keaton steals the kudos here (with some of his best dramatic work ever) as real life humanoind James Angleton, the chief of the CIA's counterintelligence unit, and was awarded with an acting nomination from the Screen Actors Guild. Usually excellent Alfred Molina is a little over the top here (as operations mgr Harvey Torriti), Chris O'Donnell is his traditionally bland self (and is in nearly every scene), while Alessandro Nivola as his rowing partner and friend Leo came off a little better. Rory Cochrane is pretty believable, thanks to excellent accent work, as the Russian emigre Yevgeny Tsipin. I always like Natascha McElhone (she's a beauty), but she's not as riveting here as in John Frankenheimer's Ronin (1998), where she was mysterious, intriguing, and militaristic as a possible IRA terrorist.

Those who like this should definitely watch Robert De Niro's The Good Shepherd (2006), starring Matt Damon, based on true CIA events. It's realistic and riveting and proves that De Niro can direct also. And, of course, the excellent mini-series Reilly: Ace of Spies (1983) from the BBC, starring Sam Neill as the real life model for James Bond, Sydney Reilly, a Russian defector to Ireland who created his name and his persona.

This series, even though on TNT, did not go unnoticed - it won 6 awards out of 19 nominations, many for it's excellent cinematography by Ben Nott. Director Mikael Salomon was also given a directing nomination from the Directors Guild of America, while Jeff Beal's music won an Emmy.

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Sunday, March 13, 2011

Gorky Park

Michael Apted, 1983 (8.1*)
A homicidal puzzle turns into a Cold War mystery in this entertaining spy thriller. William Hurt plays a Russian detective, who is baffled by three bodies discovered in Moscow's public Gorky Park, which have had their faces removed to prevent identification.

In the course of his investigation he discovers that the upper levels of government are stonewalling his efforts - it seems that he may have uncovered an uncomfortable conspiracy. He crosses paths with mysterious American businessman Lee Marvin, who has a few skeletons in his closet, even if he's not responsible for these murders. Joanna Pacula provides the proper eye candy and romantic interest, while Brian Dennehy provides his particular brand of homicidal bravado (he was a real assassin in Vietnam, often killing targets with a knife).

Maybe not a bona fide classic, but still a better mystery than most that are filmed nowdays, and one with some unique and unforgettable images, especially toward the film's climax. If you enjoy all these new forensic investigative police drama, here's one that takes place in Russia, and in a large-budget film with a couple of previous Oscar® winners in Hurt and Marvin.

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Sunday, February 27, 2011

Black Book

Paul Verhoeven, 2006, Holland (8.8*)

Excellent true story of a Jewish double agent, who went so far as to die all her hair blonde so she could literally sleep with the Nazi enemy in World War II Holland. She did this after nearly escaping, only to have Germans kill nearly everyone on aboat while she escapes, and being rescued by the underground. Carice von Houten plays a singer who infiltrates local Gestapo headquarters by seducing officers.


This is a strong storyline, with some excellent war sequences, a modernized version of an early 40's war film. This film was largely ignored in the U.S., grossing just 4m, but has a rating of 8 at IMDB, making it borderline top 250 all-time, and won 11 awards overall, including best film at the Netherlands film festival.


Verhoeven excels at films about WW2 Holland, as his breakthrough international success was Soldier of Orange, which made Rutger Hauer an international star.

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Thursday, December 30, 2010

The Constant Gardener

Fernando Meirelles, 2005 (8.4*)
Ralph Feinnes investigates the brutal murder of his activist wife, Rachel Weisz, in Kenya. Told in flashbacks, he uncovers much more than he originally intended in this crime-espionage thriller from the novel by John Le Carre. Not his typical cold war intelligence fare, this is about corporatations involved in distributing medical supplies in Africa. This is more on the intellectual side, rather than action, and it's even more engrossing and to the point than most of his novels made into films.

Rachel Weisz won an Oscar® and Golden Globe and four other awards for supporting actress. Directed by brilliant Brazilian director Fernando Mierelles (City of God), who proves that he can direct films in English as well as his native Portuguese. Ralph Feinnes also won two acting awards for his performance, which I found to be a little spineless for my comfort.

Overall, Gardener won 21 awards out of 43 nominations

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Tuesday, May 18, 2010

Inglourious Basterds

Quentin Tarantino, 2009 (8.2*)The world's wildest director has gone B-movie plus with this wild WW2 fantasy, in which he holds his imagination in check until the last reel, then the infamous Tarantino style is in full display.

A miscast Brad Pitt (a Tennessee officer with a bad imitation southern drawl) organizes a group of Jewish soldiers in a scene lifted from the Dirty Dozen, into a group of "Apache" styled renegage killers, who beat Nazis with a bat and take their scalps as well. The idea is to be so brutal in response to Nazi brutality as to send rumors through occupied France that some incarnate devil Jews are creating fear and mayhem while remaining untouched themselves. Along the way they get help from an escaped Jewess named Shosanna who now runs a Parisian cinema, which shows German films regularly, and also an expatriate German actress, now a double agent.

Most of the scenes here are almost painstakingly slow, then erupt in some sort of violent death. There are visual references to many other films, buffs will catch them. There are even more musical references, many stolen from other films outright - spaghetti westerns seem to be the top reference, making it hard to take this as a serious film, but more like a tongue-in-cheek pastische of subtle film homages.

Enjoyable if you don't look to deep, and don't mind some occasional brutality. The film is stolen by the funny and erudite performance of Christoph Waltz, who won the film's only Oscar® and dozens of other acting awards worldwide as the man known as "The Jew Hunter". The film's script also won numerous awards. Fans of Quentin's will love this, others will perhaps be bored and scoff, I was sort of in-between: there are much better WW2 films, but there are worse Tarantino films; in fact, this may be his best after Pulp Fiction.

Currently ranked #86 on the IMDB top 250

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Monday, January 4, 2010

Rendition

Gavin Hood, 2007 (8.1*)
This is not a very pleasant movie to witness, but it is both a timely one and make some important political statements regarding terrorism and national security. The story begins with Reese Witherspoon on the phone with her husband, played by Omar Metwally, now a petro-engineer attending a conference in So. Africa, about picking him up at the D.C. airport. He boards the plane but upon arrival is whisked away by U.S. security agents, apparently because his cell phone was called by a suspected terrorist, and he's an Egyptian national living in the U.S. on a green card, which makes him a third class citizen with few rights. We are then shown a suicide bombing in a public plaza in Cairo, witnessed by CIA field operative Jake Gyllenhaal (whose name is "Freeman", perhaps too obvious) to visually illustrate what real worldwide terrorism is about. Over the course of the film, British director Gavin Hood brings these stories slowly together in what is both a scary and a realistic scenario.

This film exposes some important dilemnas, voiced by Meryl Streep in a small but very effective role as the CIA op who can have certain suspicious individuals whisked away, under "extraordinary rendition", a polite way of saying that individual rights and due process under law are waived in times of martial law, which certainly now exists to combat militant extremists. Veteran Alan Arkin is also perfect as a politically-minded U.S. Senator, balancing the thin line of what's right vs. staying electable. Gyllenhaal is effective as someone relatively new to the game of information extraction from prisoners, witnessing the best acting in the film for me by Yigal Naor, totally believable as the ruthless Egyptian security head who will stop at nothing to gain information from suspected terrorists, and to protect his beautiful daughter, played by Zineb Oukach.


If you can stomach it, watch the documentary on the dvd, called "Outlawed" for a brutal look at eyewitness accounts of torture under U.S. supervision, which inspired director Hood in making this movie. It also helps explain why much of the terrorism is directed at the U.S. This is a scary subject, one that likely won't go away anytime soon, as each side refuses to budge and insists on it's own self-righteous political stand.

Quote (from Alan Arkin as the Senator, to a lawyer on his staff): "If you don't want to compromise, join Amnesty International"

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Monday, November 30, 2009

Nothing But the Truth

Rod Lurie, 2008 (8.2*)
This is a gripping and timely film that features the finest performance to date by British actress Kate Beckinsale as a Washington journalist who outs a CIA agent in a news story because the U.S. has invaded Venezuela after a failed assassination attempt, which the administration blames on that country. Does this sound familiar - can anyone remember Iraq, erroneously linked to the 9/11 terrorists? Kate is facing a jail term for contempt of court for refusal to reveal her source, based on an 80's law making it illegal to reveal a covert agent's identity, even though she hasn't broken the law, her informant has.

The excellent screenplay by director Lurie is another plus for the film, featuring some unforeseen plot twists. However, Matt Dillon is unfortunately out of his element as the prosecuting attorney here, though Alan Alda turns in an adequate job as Kate's defense attorney. There are excellent points raised here re national security vs. freedom and access to information for the public, a problematic issue in today's complex world, as either side can claim a threat to society, especially to our supposed freedom, which is an illusion at best. In a year with a large number of films worth seeing, this one seemed to escape notice but examines some important issues for all western nations, and is an intellectually rewarding political thriller.

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Saturday, September 19, 2009

State of Play

Kevin MacDonald, 2009 (8.1*)
This is a surprisingly tense and riveting political thriller. Combining journalism, national security, homicide, and mystery is not easy to pull off unless you have a good screenplay. This was adapted by Matthew Michael Carnahan and Tony Gilroy from a BBC series by Paul Abbott, 'updated' to the U.S., and filmed by talented young director Kevin MacDonald, who previously helmed award winners Touching the Void and Last King of Scotland. There are also crew links to the Bourne films. Apparently this had "all sorts of actors wanting in", said MacDonald, so the cast is a stellar ensemble. Oscar winner Russell Crowe is a reporter for Oscar winner Helen Mirren, who is perfect as editor of a major Washington paper. Oscar winner Ben Affleck is a US Congressman investigating a company that does private security for the war on terrorism, at a price tag of billions per year.

Oscar nominee Rachel McAdams is a young reporter who does the paper's online blog; she ends up getting involved early and helps Crowe with the investigation. Oscar nominee Robin Wright Penn is Affleck's wife, and good friends with Crowe through the Congressman; this connection drives Crowe's character to dig into the story to help his friend. Jeff Daniels is also in the cast, as another important politician connected to national security. Jason Bateman even has a small but important part as a PR man with some weighty info. [He was also in
The Kingdom; what's with Bateman and suddenlyll all these national security/spy movies?]

This is just the background, the plot is even more twisty and involved, and begins with the homicide of Affleck's aid in the investigation, and some unrelated street homicides; thus the mystery begins and the plot quickly thickens. This story has come very eery national security implications, and the way MacDonald lets the story unfold through journalists, so that the audience gets information when they do, was reminiscent of All the President's Men. This is a more violent and potentially frightening scenario, but that one had the weight of being true and part of history. There is even a sly reference made in the story here with the Watergate building.

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Friday, April 10, 2009

Munich

Steven Spielberg, 2005 (9.1*)
For some reason, this film didn’t receive the acclaim of other Spielberg films, yet it’s just about as good. The story is based on the true story of an Israeli agent, played by Eric Bana, who, along with four others (including Daniel Craig), relentlessly hunts down all the planners of the Munich Olympic terrorism that led to the deaths of 11 Israeli athletes. This is a long and gripping film, just what you would expect from the filmmaker of Schindler’s List and Saving Private Ryan. When he tackles an important subject, such as these war films and war crimes, you can’t think of any better modern director to handle the balance of action and character motivation. Five Oscar nominations, including best picture and director. No wins – this was the year that the mediocre, tv-looking movie Crash (not the good J.G. Ballard s/m one either) surprised real movie people by winning over this and Brokeback Mountain.

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Monday, March 2, 2009

The Tunnel

Roland Suso Richter, 2001, Germany (8.3*)
Based on a true story from the 50’s of East German swimmer Harry Melchior who defected to West Germany then enlisted the aid of an odd assortment of diggers to see if they could dig a 145-meter tunnel to the east to help their relatives also escape to the west. This is a riveting film, if lengthy (nearly 3 hrs), that manages to maintain its tension throughout, and is a better escape film than the obviously Hollywooden Great Escape, and without any big stars as well. Mixing dark color with some grainy black & white sections, director Ricther manages to maintain a near documentary feel in a story that should have been told decades ago. Reminiscent of the Leon Uris novel Mila 18, about trapped Jews tunneling out of the Warsaw ghetto.

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Thursday, January 22, 2009

Burn After Reading


Coen Brothers, 2007 (6.5*)
This is an odd sort of Coen Brothers film, marketed as a comedy but a lot more serious, and it has a low energy level. Health club trainer Brad Pitt is given a CD by a janitor who found it on the floor, and its filled with some CIA information. He and fellow employee Frances McDormand both need money and decide to get a reward from the owner.

This turns out to be CIA analyst John Malkovich, who is extremely upset and feels that a 50k reward is extortion. Meanwhile George Clooney is sleeping with Malkovich’s wife, while his own wife, Tilda Swinton, is perhaps being unfaithful as well. Things turn worse after they make personal contact with Malkovich, and eventually everyone gets tangled up together in this thickly plotted excursion into general mayhem. Great actors here, including three Oscar winners (Clooney, McDormand, Swinton), but they unfortunately don’t have much acting to do in this, its mostly plot, and an incisive satire on the intelligence community, one that starts out funny but turns serious.

Listen to the incredible closing credit song, CIA Man by the Fugs – its got terrific lyrics, still relevant today.

“Who can kill a general in his bed, even a dictator if he’s red,
F-g A man, C-I-A man…
Who has got the secretest service, that makes the other service nervous,
F-g A man, C-I-A man…”

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Saturday, January 3, 2009

The 39 Steps

Alfred Hitchcock, 1935, bw (8.5*)
This is one of the early British films of Hitchcock before he developed a more formulaic approach for Hollywood , so it's really one that put him on the map early in his career. 39 Steps fits with this month's obvious spy theme, as its a pre-WW2 foreign spy film. Robert Donat stars as the common man discovering a possible plot, a theme often repeated later by Hitch. Features nice use of black and white to create an ominous mood, almost expressionistic. This has remained my favorite Hitchcock film, much preferred over more famous technicolor releases two decades later (well, except maybe for Vertigo, his most serious and successful color film), especially in its use of suspense, and is an early classic of the espionage and mystery genres.

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Friday, January 2, 2009

The Avengers

[Our 300th review]
a.k.a. "The Original Avengers", "Emma Peel Megaset"
British TV, 1964-67, 51 episodes, bw & color (8.5*)

This famous tongue-in-cheek British series poked fun at the 007 genre and others, such as cheap SciFi and kung-fu, and did so with a style and panache that's still enjoyable today as long as you don't take it seriously. British super-agent John Steed, played as a charming bowler-wearing sophisticate by Patrick MacNee, starred and was teamed with a series of athletic actresses. The gorgeous Diana Rigg came into the series from the Royal Shakespeare Company about 1964 as Mrs. Emma Peel ('M' appeal, get it?) when it was still black and white, replacing Honor Blackman who ironically left to do the 007 film Goldfinger. In one episode, Steed receives a Christmas card from her character, Cathy Gale, and when Emma asks where it's from Steed comments "Fort Knox.. can't ever figure why she'd be there".

Emma's married, but her pilot-explorer husband has been missing for years after a jungle flight, so she and Steed maintain a platonic but chemistry-charged relationship that often includes ennuendo and roundabout flirtations in typical British style, as the most they ever shared was a bottle of champagne; she is supposedly an amateur sleuth helping Steed for the commonwealth. Rigg's first 2 years in b&w are probably better written, and we see her in black a lot, leather bodysuits and the like, but the color ones from her last year are a little better made and Rigg is even more gorgeous. She eventually left after three seasons and 51 episodes (shown in the U.S. as four, from 64-67; now on 17 dvd's), and her last episode is appropriately called The Forget-Me-Knot, which also introduced her successor, Linda Thorson, as well as a hilarious visual with a Steed double. The Avengers before and after Diana Rigg pale by comparison; she and MacNee brought a cool chemisty never matched by a crime-fighting duo before or since; well, tv anyway - after all, there was the Thin Man film series.

Note: in The Superlative Seven (title spoof of The Magnificent Seven), both Donald Sutherland and Charlotte Rampling were guest stars in a plot borrowed from Agatha Christie's And Then There Were None.
Self-Reference: in the color episode Return of the Cybernauts, Emma is watching tv, which is showing the bw episode The Cybernauts from two seasons earlier.

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Thursday, January 1, 2009

Reilly: Ace of Spies

Martin Campbell, Jim Goddard, 1983, 11 hrs (9.0*)
This 12-part British miniseries tells the story of real life spy Sidney Reilly, who inspired Ian Fleming when he created James Bond. Reilly was the pseudonym of a Russian Jew named Georgi Rosenblum from Odessa who escaped Czarist repression by fleeing to Brazil, later Ireland, changing his name, and eventually becoming a British spy. Sam Neill, in the role that made him famous, turned Reilly into a smirking, self-confident, and suave gentleman who easily gained confidences where needed.

The series is based on the non-fiction account of the same title by Spider Lockhart, who served with Reilly in Russia, whose character is in several episodes. Part 1 begins with him in the Middle East in some subterfuge regarding oil rights for England; next in eastern Russia just preceding the Crimean War (David Souchet has a juicy role in this one); later we see him steal battleship plans from Germany before World War I, and various other endeavors, often battling his rival for information, an arms selling Russian industrialist played by Leo McKern, who didn't care whom he armed to make his fortunes. What really drove Reilly however, aside from a few beautiful women (married or otherwise), was a lifelong obsession with invading and freeing Russia from any totalitarian regime, so the latter episodes cover Reilly’s time spent there, with some interesting scenes involving Felix Derzhinsky, father of Russian intelligence and disinformation who kept Lenin in power in the precarious early days of the revolution. The entire series has a location look, very well designed and filmed, each part a mini-movie, highly recommended for fans of both espionage and history.
Note: Director Martin Campbell would later direct the 007 film Casino Royale in 2006.

Here's the Wikipedia page on Sidney Reilly

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Casino Royale


Martin Campbell, 2006 (7.6*)
Daniel Craig’s first outing as James Bond is a high energy, pulse pounding action film, the way the series was meant to be. The novel was Ian Fleming’s first, and was devoid of gadgets and violence; this re-write makes up for it. Judi Dench is back again as his superior, Eva Green is this film’s “Bond woman”. Down one star for a loss of pacing after a fast start. Craig is going to be the best Bond since Connery, not hard to accomplish – anyone from Ewan McGregor to Colin Farrell to Viggo Mortensen would have been an improvement. (...apparently I was the only person to like Aussie George Lazenby in On Her Majesty's Secret Service which remains the best 007 film to me.


The novel Casino Royale was author Ian Fleming’s first, and introduced the world to his glamorous and amorous spy. This novel largely revolves around the high-stakes casino card game of baccarat, in which two players go head-to-head like a duel, with money rather than blood at stake, and usually with no limit to the stakes.

This novel was filmed once before (not part of the Albert Broccoli film series) as a satire of the genre, when both David Niven and Woody Allen played James Bond; unfortunately the film was highly forgettable, not funny, not sexy, no action.

For those would-be high stakes gamblers out there, who think maybe baccarat is easy money, as a former resident of Las Vegas I highly suggest you first educate yourself with strategies and techniques by reading a lot of baccarat strategy articles. Those who don’t will be at a disadvantage to those who have and those with more experience. The internet has some excellent information so take advantage of it - after all, it's going to be your money at risk.

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On Her Majesty's Secret Service

Peter Hunt, 1969 (8.6*)

There's only ONE James Bond film with Australian George Lazenby, and only one in which Bond gets married, and this is the one! For me, this is the best Bond movie, every film with Roger Moore or Pierce Brosnan is nearly unwatchable, and this one has more action than any Connery film. There's an incredible ski and bobsled chase involving villain Telly Savalas, with over 120 edit cuts in the whole sequence (I counted!)

The classiest of all Bond lovers, Diana Rigg also stars, after her stint as Emma Peel in British tv's "The Original Avengers", she was actually a Royal Shakespearean actress, later appearing in Midsummer's Nights Dream with Judi Dench (who was the topless wood nymph!) Director Peter Hunt created the best combination of 007 novel merged with cinema excitement in this one.

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From Russia With Love

Terence Young, 1963 (8.3*)The second James Bond film is the best of the Sean Connery ones, with a more realistic plot, and with Robert Shaw as the best assassin of all, also classy Italian Daniela Bianchi as the only "Bond girl" in the whole film. Veteran European actress Lotte Lenya also sparkles as Russian assassin Colonel Rosa Klebb (who made the ET list of top 20 Bond women!), who deals her injustice with a poisoned blade in her shoe!

We get introduced to organizations of initials, in this case S.P.E.C.T.R.E., a group of criminals outside the KGB even, beyond anyone’s control, but we only see the hands and cat of its leader, Blofeld, later parodied by Mike Myers as Dr. Evil in Austin Powers, who also parodied Klebb.

The plot involves SPECTRE orchestrating the British Secret Service into stealing a decoding machine from Instanbul with the hopes of getting it and Bond themselves in a two-in-one operation. This movie rolls from Instanbul and across Europe in a terrific road film on a train, then a boat, perhaps Ian Fleming’s homage to Hitchcock. Many say this is the best 007 film.

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Sunday, December 28, 2008

The Good Shepherd

Robert De Niro, 2006 (8.4*)
Based on a true story, this is the best directed film from Robert De Niro, who also co-stars in this film about Edmund Wilson, played as a straight patriot by Matt Damon. Wilson was recruited as an intelligence agent during WW2, before there really was a CIA established, so he's around in the formative days of the cold war of intelligence vs. the commies and other subversives. This is a realistic spy movie, so look for less action than the Bourne series of Damon's, but it's gripping and rewarding on its own merits, and also has Angelina Jolie but in an undemanding role.

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Friday, December 12, 2008

The Bourne Trilogy

Roger Young, Paul Greengrass, 2002-07 (9.0*)
This is a nearly perfect series of spy films, with just the right mix of action and deeply complex plot development. Matt Damon has finally found his mark with these films, who knew he would be a perfect Bondish spy with deadly skills and a boyish American charm that you could trust?

The series begins with Bourne Identity, when he awakens in the Mediterranean with amnesia, and we slowly learn the facts of his existence along with Bourne; this dvd has alternate endings. Co-stars Franke Potente (Run Lola Run) as his friend. The second film, Bourne Supremacy, adds the terrific actress Joan Allen as a CIA specialist assigned to bring him in. The third film, Bourne Ultimatum, finds him again battling the agency for truth and identity and freedom. This series is actually more rewarding than the 007 films, which are usually too flippant and self-absorbed to be taken seriously (see my two exceptions reviewed here), yet Bourne also has more action than the realistic John le Carre novels (Spy Who Came in From the Cold, Smiley's People). These three must be seen in sequence, they are all a connected story.

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Friday, October 3, 2008

Lust, Caution

Dir: Ang Lee, China, 2007 (7.4*)

Another beautifully shot love story from Ang Lee (Eat Drink Man Woman, Crouching Tiger, Ice Storm, Sense and Sensibility, Brokeback Mountain), this one taking place during World War II, in occupied Shanghai. Tony Leung (Hero, In the Mood for Love, 2046) is a Chinese collaborator, a government official for the Japanese occupation government. Wei Tang is a beautiful young student, whose acting troup at the university becomes political, and starts doing work for the resistance. Eventually their paths cross, and they become involved on two levels at once. This is a slowly unfolding erotic romance wrapped inside an espionage tale during a brutal period of Asian history. Beautiful cinematography, dark rich colors, it has the look of Vittorio Storaro who shot the best films of Bertolucci and Coppola. Received Golden Globe and BAFTA (British academy) nominations for Foreign Language Film.

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Thursday, September 25, 2008

Ronin

Dir: John Frankenheimer, 1998 (9.1*)
A woman, perhaps an IRA terrorist, Natascha McElhone (the blonde ex-wife on cable tv's Californication), hires Robert de Niro and a team of professionals, which includes the terrific French actor Jean Reno, to retrieve a briefcase, without telling them what's in it. This vague information and other secrecy bothers the team, but that's just the beginning of their troubles. This is a heady, intellectual film that also packs some terrific chases and superb editing, a rare combination, a one of the few that begs for a sequel. Excellent all-around, one of the best of the genre.

This is Frankenheimer's high water mark for action films, perhaps his best film, which includes Manchurian Candidate, Seven Days in May, Reindeer Games, and another of my favorites, The Train.

Natascha McElhone is one of the most beautiful women ever captured on film. She deserved much better than Californication, a lame comedy


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Monday, September 8, 2008

The Prisoner

Dir: Don Chaffery, 1967, 16 episodes, tv (8.9*)

Patrick McGoohan continued his "Secret Agent" (a.k.a. "Danger Man" in the U.K.) character for a one season epilogue that turned into the most thought-provoking mini-series of all time. It begins with McGoohan stormily resigning as an agent, then being whisked away to an unknown island where he remains a prisoner, known as Number Six. Each episode, a new Number Two (the best of which was Leo McKern, in two episodes, the only actor to repeat the role) attempts various psychological tricks to get Six to reveal any information – of course he refuses. The series blended science fiction, espionage, and psychology, something that hadn’t been attempted at the time. This has aged very well, and still appears both provocative and relevant. A must for SciFi and classic tv fans, and anyone who loves a good story about individual identity and freedom.
Try to view them in the following order, chronological within his story: Arrival, The Chimes of Big Ben, AB&C, Free for All, The Schizoid Man, The General, Many Happy Returns, Dance of the Dead, Checkmate, Hammer Into Anvil, It's Your Funeral, A Change of Mind, Do Not Foresake Me Oh My Darling, Living In Harmony, The Girl Who Was Death, Once Upon A Time, Fall Out.

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Thursday, September 4, 2008

La Femme Nikita

Luc Besson, 1990, France (9.1*)

This hard-hitting crime film, another winner from director Besson (The Big Blue, The Professional), tells the story of a ruthless killer addict, Nikita, who shoots a policeman during a drug store robbery to steal drugs. The French authorities give her an option: assume a new identity and train as an assassin for them, or face execution.

What follows is a great spy/assassin story, more exciting than any James Bond film, and a classic of the genre. Anne Parillaud is terrific in her tranformation from criminal to reluctant assassin. Besson fave Jean Reno (The Professional) has a small but meaty part (!) as a cleaner. Not to be confused with the different tv show, which was a secret anti-terrorist organization and whose heroine wasn't a killer until they trained her.

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Wednesday, September 3, 2008

Austin Powers: International Man of Mystery

Dir: Jay Roach, 1997 (8.1*)
This is the first Austin Powers and it remains the best, but its attraction has dimmed in the sequels, and you'll either "get this" or not - perhaps you had to have watched some awful 60's films when they first came out. This one is a riotous sendup of Elvis musicals, bad films, James Bond (the Sean Connery ones, note the patch of glued on chest hair from a yak!), bad British dental work, and even Burt Bachrach, who appears spoofing himself, the way his songs intrude into films. Austin is of course Canadian Mike Myers (who grew up awhile in England), as a super agent chasing his arch-nemesis Doctor Evil (also Myers), and his cartel of international criminals, including Robert Wagner as Number Two (lots of those jokes abound). Mr. Bigglesworth is his cat, Michael York is "Major Exposition" (too funny!), giving Austin and the audience irrelevant plot details. When Dr. Evil cryogenically freezes himself, Powers volunteers as well, and we wait until a time in the future when "there are no ethics and everyone is controlled by major corporate interests: 1997", and they are both unfrozen to continue the chase and the film parodies. Elizabeth Hurley is the sex-kitten interest ("I'll bet you shag like a minx!"), Mrs. Kensington, as a parody of Diana Rigg's "Mrs. Emma Peel" ('m' appeal, get it?) in tv's The Avengers. Produced by Demi Moore, this made tons of green, and as long as you don't expect any intelligence, kinda fun.
Quote: It’s my scene, baby, and it freaks me out! (Austin, upon entering the "Electric Psychedelic Swinging Pussycat Lounge")
Quote2: I put the grrr in swinger, baby, yeah! (Austin)

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Sunday, August 31, 2008

The Conversation

Dir: Francis Ford Coppola, 1974 (10*)
Palm d’Or (Cannes)

If not for a film called Godfather II, this film would likely have won best picture itself in 74 (it was nominated), and may arguably be Coppola’s best; it’s certainly his tightest, and did win the grand prize at Cannes. Gene Hackman plays a electronic bugging expert, usually hired to scope out corporate secrets, often requiring ingenious methods to record conversations, like multiple eavesdroppers, some on the move. He unwittingly discovers that perhaps someone who hired him has committed a murder, which he discovers examining conversations he bugged. Saying very much would spoil this excellent, tense crime film with many implications. This is my favorite Gene Hackman performance, and most subtle, that just goes deeper and deeper as it progresses.

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Wednesday, August 27, 2008

The Lives of Others

Florian H. von Donnersmarck, 2007, Germany (9.2*)

Best Foreign Film (AA, BAA)
One of only five films to win both the U.S. and British academy award for foreign language film.

This terrific German film on domestic espionage recalls Coppola's The Conversation. It's a tense, superbly filmed study of the state police of East Germany (the Stasi) using electronic surveillance on a popular writer, who may or may not be guilty of publishing subversive material, which is cause for disappearance.

For me, it was engrossing throughout, and maintains a high level of tension because you know this could be a life or death situation for all those being spied upon by the police. Everyone who comes into contact with the writer unknowingly puts themselves in danger as well.

Won both the U.S. and British academy award for Best Foreign Language Film, was nominated for Best Picture in Britain, and is deserving of all it's awards.

Rated 8.5 at IMDB, ranked #56 there, and that's all-time, all films in the world. Rated 89 at Metacritics; both are extremely high ratings. Winner of 64 awards out of 86 nominations, an extremely high ratio.

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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