Showing posts with label Russian Revolution. Show all posts
Showing posts with label Russian Revolution. Show all posts

Thursday, January 1, 2009

Reilly: Ace of Spies

Martin Campbell, Jim Goddard, 1983, 11 hrs (9.0*)
This 12-part British miniseries tells the story of real life spy Sidney Reilly, who inspired Ian Fleming when he created James Bond. Reilly was the pseudonym of a Russian Jew named Georgi Rosenblum from Odessa who escaped Czarist repression by fleeing to Brazil, later Ireland, changing his name, and eventually becoming a British spy. Sam Neill, in the role that made him famous, turned Reilly into a smirking, self-confident, and suave gentleman who easily gained confidences where needed.

The series is based on the non-fiction account of the same title by Spider Lockhart, who served with Reilly in Russia, whose character is in several episodes. Part 1 begins with him in the Middle East in some subterfuge regarding oil rights for England; next in eastern Russia just preceding the Crimean War (David Souchet has a juicy role in this one); later we see him steal battleship plans from Germany before World War I, and various other endeavors, often battling his rival for information, an arms selling Russian industrialist played by Leo McKern, who didn't care whom he armed to make his fortunes. What really drove Reilly however, aside from a few beautiful women (married or otherwise), was a lifelong obsession with invading and freeing Russia from any totalitarian regime, so the latter episodes cover Reilly’s time spent there, with some interesting scenes involving Felix Derzhinsky, father of Russian intelligence and disinformation who kept Lenin in power in the precarious early days of the revolution. The entire series has a location look, very well designed and filmed, each part a mini-movie, highly recommended for fans of both espionage and history.
Note: Director Martin Campbell would later direct the 007 film Casino Royale in 2006.

Here's the Wikipedia page on Sidney Reilly

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Wednesday, October 1, 2008

Siberiade

Dir: Andrei Konchalovsky, 1979, Russia, 6 hrs. (7.5*)
This massive 6-hr production looks like it was made for Russian tv, a mini-series in 4 parts about 90 minutes each; since the film was also fullscreen, I'm assuming it was made for tv rather than the cinema - too bad I wish it had been widescreen, for the star and subject of this film is Siberia. In particular, a small village on the Volga River, and about three generations of its inhabitants, some of whom leave Siberia, some of whom return. This epic (in time if not in numbers of people) covers nearly a century of this area, from Czarist Russia until Soviet industrial expansion into the area in the 1980's, searching for oil.


This may be a bit slow and unsophisticated for some western audiences, moving like spring ice melting on the tundra, but there are beautiful scenes of a culture we'll never see: a wind-driven ice sled skating over the frozen river and disappearing into the winter whiteout (how did they ever find their way anywhere and back?, fur-covered Siberian peasants with the weather etched in their faces, audacious swamplands when thawed (called the "Devil's Mane" by the locals), as one Russian official puts in from an airplane "a useless area three times the size of France; we might as well dam it up for hydropower and create the world's largest man-made reservoir". This is truly a Soviet-style, industrial strength epic film, unlike anything from the west.

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Thursday, September 4, 2008

The Battleship Potemkin

Sergei Eisenstein, Russia, 1925, silent, bw (8.7*) Everyone who loves cinema should see at least one Potemkin film, this is his masterpiece. It tells the story of a battleship revolt that became a revolutionary movement in pre-Bolshevik czarist Russia. Terrific camerwork, epic recreation of a historical event, astounding movie-making for the time. Potemkin is also noted for actually caused more deaths filming the "storming of the Odessa steps" sequence than the real event in 1917!

One of our first World Film Awards, as we started with 15 silent films.

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Tuesday, September 2, 2008

Reds

Dir: Warren Beatty, 1981 (8.4*)

It's easy to admire Beatty's acheivement here as Oscar-winning director (his only competetive Oscar), his most ambitious effort. This film has history, romance and war (but not enough), as we follow American journalist John Reed to the Bolshevik Revolution in Russia in 1917. Diane Keaton is his sometimes girlfriend, actress Louise Bryant (you can get a '29 film of hers on dvd), Maureen Stapleton (Oscar for Supp Actress) a fellow writer and supporter, Jack Nicholson plays a love rival, the playright Eugene O'Neill. However, this fails to be as involving as it should as it's too long at nearly four hours, so it loses it pace and punch. Not only that, it's about some danged pinko Reds, some free-love beatnik liberals! Up a star however for the best use of in-film interviews I've seen, with people who knew Reed and Bryant back then, a few of thousands who answered ads Beatty ran looking for eye-witnesses. Out of 12 nominations, 3 Oscars

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Monday, September 1, 2008

Doctor Zhivago

Dir: David Lean, 1965 (9.0*)

Best Picture (GG)
The same David Lean film crew that made The Bridge On the River Kwai and Lawrence of Arabia then filmed the Boris Pasternak novel of the era of the Russian Revolution. Omar Sharif plays the title role, a poetry writing doctor whose life takes two left turns during World War I, then the revolution, each time bringing him closer to nurse Julie Christie, while his faithful wife, Geraldine Chaplin (daughter of Charlie) remains at home in Moscow, with father Ralph Richardson. Christie's revolutionary boyfriend, Tom Courtenay, is also an intregral part of the love story, as is older suitor Rod Steiger.
Maurice Jarre's Oscar-winning music is haunting, the cinematography (Oscar®) artistic without being distracting. Perhaps a little soapy, but one of the world's great love stories. And it's still another archetypal epic from master director David Lean. This lost the best picture Oscar® to the sentimental and shallow crowd-pleasing The Sound of Music.

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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