Showing posts with label terrorism. Show all posts
Showing posts with label terrorism. Show all posts

Sunday, February 13, 2011

The Informer

John Ford, 1935, bw (8.8*)
Possibly the best John Ford film, this one is not a western but a political film in which Victor McLaglen plays an alcoholic member of the IRA in the 20's, in an Oscar®-winning performance for best actor (the best of his long career), who can't decide if he's fighting a revolution or looking for his next drink. Intelligence personnel know his weakness for alcohol and he becomes a target of those seeking information for the British side.

Winner of four Oscars, for best actor, director, music score, and screenplay - it lost best picture to Mutiny on the Bounty. This is still a riveting, politically-charged story 75 years later.

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Wednesday, January 20, 2010

United 93

Paul Greengrass, 2006 (9.1*)
This is a perfectly harrowing account of the one hijacked airliner on 9/11 that did not have a chance to reach it's target due to the heroic actions of some of its passengers, instead crashing into the Pennsylvania countryside. Director Paul Greengrass keeps the viewer absolutely riveted, even though we all know the results beforehand. This is done with expert editing and constant shifting from the situation being monitored on the ground by air traffic controllers, the U.S. defense system at NORAD, who were awaiting orders from an absent President Bush, and the frightening events within the aircraft itself.

The viewer can actually see a trilogy of films that presents the day's events in chronological order. The Hamburg Cell traces the origins of the hijackers, then United 93 takes us along for the ride with one group on that doomed airliner, then Oliver Stone's World Trade Center puts us inside one of the two buildings with some of the firefighters who survived the building's collapse from the inside. Of the three films, United 93 is the most riveting and the most finely crafted.

This is currently ranked #686 on our Top Ranked 1000 Films on the Internet, and #67 for films of this decade. In my opinion, it should be ranked higher and will likely climb in the polls as it reaches more viewers.

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Wednesday, January 13, 2010

The Hurt Locker

Kathryn Bigelow, 2009 (9.0*)Bigelow’s film of the war in Iraq is an engrossing look at an elite bomb squad whose daily task is to access possible bombs and booby traps, and defuse or detonate them. To call this harrowing and nerve-wracking is an understatement. She manages to maintain the tension and keep the viewer riveted to the action with any real plot or story, other than showing the daily trials of the tiny squad of three men. Much of this credit is due to the "soldier's eye view" of cinematographer Barry Akroyd.

The unknown ensemble cast is dead on, most seem like real soldiers. The few cameo roles from veterans Guy Pearce, Ralph Fiennes, and David Morse actually make the unknown actors, led by Jeremy Renner as the lead bomb specialist, look even better. In a way, the film is a little dispassionate (I'm sure a natural response of real soldiers in this situation), especially when compared to the story of Kurdish war orphans who defuse and resell land mines in the Iraq-Iran film Turtles Can Fly (2004) . Yet it’s still a very good war movie leaning more toward suspense and nail-biting action, which should be both gripping and informative to western audiences, most of whom are as clueless as I was about the technical details of this new type of weapon.

Hurt Locker belongs with that small group of films that attempt to show the results of this new terrorism, such as Rendition and The Kingdom. Viewers (and terrorists) not familiar with Gillo Pontecorvo's now classic Battle of Algiers should see that 1965 b&w film for an effective means of using terrorism for gaining freedom from foreign powers, with timed bombs left behind in crowded locations, thereby saving the bombers themselves for more work. That film remains my favorite primer on urban terrorism, and Pontecorvo enlisted thousands of volunteer extras in the streets of Algiers.

Hurt Locker could win many awards this year, and has a good start already with 44 wins so far at various festivals and from film critics. Cinematography, editing, and sound are likely Oscar® winners. [The film shows a 2008 release date, yet it's up for 2009's awards, so I'm confused as to when it was really released - so I went with 2009 here to avoid the appearance of error]
Awards link at IMDB

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Monday, January 4, 2010

Rendition

Gavin Hood, 2007 (8.1*)
This is not a very pleasant movie to witness, but it is both a timely one and make some important political statements regarding terrorism and national security. The story begins with Reese Witherspoon on the phone with her husband, played by Omar Metwally, now a petro-engineer attending a conference in So. Africa, about picking him up at the D.C. airport. He boards the plane but upon arrival is whisked away by U.S. security agents, apparently because his cell phone was called by a suspected terrorist, and he's an Egyptian national living in the U.S. on a green card, which makes him a third class citizen with few rights. We are then shown a suicide bombing in a public plaza in Cairo, witnessed by CIA field operative Jake Gyllenhaal (whose name is "Freeman", perhaps too obvious) to visually illustrate what real worldwide terrorism is about. Over the course of the film, British director Gavin Hood brings these stories slowly together in what is both a scary and a realistic scenario.

This film exposes some important dilemnas, voiced by Meryl Streep in a small but very effective role as the CIA op who can have certain suspicious individuals whisked away, under "extraordinary rendition", a polite way of saying that individual rights and due process under law are waived in times of martial law, which certainly now exists to combat militant extremists. Veteran Alan Arkin is also perfect as a politically-minded U.S. Senator, balancing the thin line of what's right vs. staying electable. Gyllenhaal is effective as someone relatively new to the game of information extraction from prisoners, witnessing the best acting in the film for me by Yigal Naor, totally believable as the ruthless Egyptian security head who will stop at nothing to gain information from suspected terrorists, and to protect his beautiful daughter, played by Zineb Oukach.


If you can stomach it, watch the documentary on the dvd, called "Outlawed" for a brutal look at eyewitness accounts of torture under U.S. supervision, which inspired director Hood in making this movie. It also helps explain why much of the terrorism is directed at the U.S. This is a scary subject, one that likely won't go away anytime soon, as each side refuses to budge and insists on it's own self-righteous political stand.

Quote (from Alan Arkin as the Senator, to a lawyer on his staff): "If you don't want to compromise, join Amnesty International"

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Tuesday, June 16, 2009

The Kingdom

Peter Berg, 2007 (7.6*)
This is a surprisingly good action-adventure from actor turned director Peter Berg, who also made the excellent sports docudrama Friday Night Lights. There are several gripping action sequences that will stand out from standard car chase fare. The film begins with a horrifying terrorist attack on U.S. residents at a kids softball game in Saudi Arabia. After all the carnage, an on the scene FBI investigator (stationed in Saudi Arabia) is among the dead. The FBI in Washington wants to send its own team in to investigate, but it’s against US policy, inflaming an already tense situation.

Well, of course the team gets there or we’d have no story. Jamie Foxx is the leader, Chris Cooper the bomb expert (there's two Oscar® winners), Jennifer Garner the eye candy, as a friend of the dead agent, and Jason Bateman, the comic actor from Arrested Development, here misappropriately used for a serious and violent role. Richard Jenkins is his usual pro self in a small role as their FBI superior, Jeremy Piven is miscast as the US ambassador to Saudi Arabia – I kept expecting an agent style rant about growing balls from Ari on Entourage.

There’s an exciting freeway sequence, and an urban shootout that are both riveting and involving. The crew also had access to shoot in the royal palace of Dubai (or was it U.A.E.?), so all locations look very authentic. Of course the plot is a predictable, down a star for that, but the Arab acting of Ashraf Barhom, best in the film [Supporting Actor nomination maybe!], more than makes up for the John Wayne style of the Americans.

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Tuesday, August 26, 2008

Battle of Algiers, The

Dir: Gillo Pontecorvo, 1965, Italy (9.2*)

Perhaps the most ambitious re-creation of historical events for any docudrama, at times you'll swear its real footage. Pontecorvo deservedly got a Best Director nomination for this taut story of a terrorist network fighting for Algierian independence from France. As topical today, this story should be seen by anyone interested in the international political situation. Beautiful black and white cinematography as this still shot shows.

In light of recent events and films, such as The Hurt Locker and Rendition, this film now has topical relevance again in the new millenium.

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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