Showing posts with label 1945. Show all posts
Showing posts with label 1945. Show all posts

Saturday, October 29, 2011

The Spiral Staircase

Robert Siodmak, 1945, bw (8.8*)
Even though this now looks like a film of scary movie cliches, back in its time, it was one of those few films that made true cinema suspense and made it artfully. You might call this film an archetype of the modern psycho-killer film, and now it's been remastered.

A serial killer is targeting women around town that have various types of afflictions. A very young Dorothy McGuire, in the performance of her lifetime, plays a mute women, who, alone in a large house during a storm, begins to feel a hidden menace, as if she is perhaps the killer’s next target.

This is Siodmak’s best directing job to me, as it’s a beautifully shot early film noir, with lots of darkness and shadows casting eerie shapes across the living, as if the darkness itself is somehow grasping at the innocents. It’s not often that a film can maintain fear and suspense with any veracity, yet this film manages to and to also be re-shown often over 60 years later and after perhaps a hundred-thousand less artistic imitations.

The entire film was shot on a soundstage, which makes it even more amazing. It had the look of a small film, but it wasn’t - this was a David O. Selznick Production (Gone With the Wind), and co-starred George Brent and Ethel Barrymore.

It’s more often what you don’t show that is more menacing, our greatest fear is the unknown. I think Siodmak’s film is a very good example of that for most of these modern ‘horror’ filmmakers.

It's amazing to me that this film didn't make any of the film polls in our compendium, at all. At IMDB, it's average rating is 7.6, about .4 away from the top 250, so it's likely in the top 1000 there, which they don't post. Our compendium came up with almost 2300 films mentioned in all the polls put together and this wasn't listed once.

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Sunday, May 29, 2011

They Were Expendable

John Ford, 1945, bw (8.5*)
Memorial Day WAR-a-thon Film #12
(Robert Montgomery, co-dir, uncredited, who took over for Ford when he was injured in a fall)
This unglamorous story of average sailors doing their job at war is actually a touching and memorable war film. It's about the men in PT boats defending the Philippines. The film is written around the real life escape of General Douglas McArthur from Corregidor around the beginning of the Pacific War. Remaining historically accurate, the film documents the collapse of American-Filipino resistance in 1942.

John Wayne plays Rusty, a cynical officer unhappy being on PT boats, he wants a bigger, more important station, so in this film Wayne is not the big hero in a famous battle at all, making it more realistic than most of his roles, and quite a satisfying performance as a result. Robert Montgomery as the squadron commander is understated and moving, one of his best performances as well.

The film is full of memorable war images: a Japanese air strike at Subic Bay, the scenes of McArthur's escape, the defeated American army retreating on Mindanao. This is not a heavy action war film, but has a tranquil pace with time for other real life moments. Perhaps the finest of John Ford's war films.

Excellent supporting cast includes Ward Bond, Donna Reed, Jack Holt, Leon Ames. The sound and special effects received Oscar® nominations.

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Saturday, April 9, 2011

And Then There Were None

René Clair, 1945, bw (8.6*)
This would have to be considered the definitive film of any Agatha Christie mystery novel. Other than changing the ending (yes!), the rest of this black and white classic is very close to her original novel Ten Little Indians (the title was changed to be more 'politically correct').

Ten seemingly random people, including a judge and a doctor, are invited to a remote island as guests of a mysterious Mr. U.N. Own (unknown, get it?). The island appears deserted, and a recording is played at dinner from the missing host, accusing them each of murder. Immediately, one of them is dead, and the game has begun. The guests begin to die one by one, while the remaining guests each accuse each other of being the killer, perhaps even the missing host.

Of course, if you know Christie, then you know the plot hinges usually on one unexpected twist that the reader (filmgoer in this case) will guess about until revealed at the end. This was one of the best of her novels (The Murder of Roger Akroyd being the other), and her fans and mystery fans in general will enjoy this film, even if their suspicions are correct.

The cast includes Oscar winners Walter Huston and Barry Fitzgerald, and also veteran character actors Misha Auer, Roland Young, C. Aubrey Smith, Roland Young, Louis Hayward, and Judith Anderson. This won best film at the 1946 Locarno Film Festival, it's only award.

There's actually a newer updated version from Russia, made in 1987. Some say it's more faithful to the novel, including the original ending; others say it's more ponderous and the subtitling gets out of sync.


Another good filming of a Christie novel is Billy Wilder's Witness For the Prosecution, which we will review later.

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Friday, July 30, 2010

Leave Her To Heaven

John M. Stahl, 1945 (8.6*)
Exotic locations, the impeccable beauty of Gene Tierney, and the Oscar®-winning cinematography of Leon Shamroy (one of his four Oscars®) make this one of the most beautiful films to view in color. The film begins on a train in New Mexico, where an author, played by Cornel Wilde in an understated performance, meets a gorgeous young woman, Tierney, who's reading his latest novel.

The two fall in love amid the beautiful scenery of Rancho Jacinto in the mountains near Taos, New Mexico, with Tierney dropping her present fiance, a rising young lawyer well-played by Vincent Price, and proposing to Wilde after just a couple of days of dazzling him with her beauty. In one unforgettable scene, he witnesses her scattering her fathers ashes on horseback high up on a mountain plateau at dawn with her mother and cousin.

The marriage shifts to Warm Springs, Ga (where I work, about a mile from the location in the film!) to Wildes' polio stricken young brother David, played by Darryl Hickman of Dobie Gillis on tv fame. They then all move to Deer Lake, Maine, to Wilde's hidden fishing lodge, so the newlyweds really get little intimacy. Tierney's character grows increasingly possessive of her husband, even becoming jealous of her cousin, and half-sister, on her infrequent visits, played by Jeanne Crain, who holds her own vs. Tierney's onscreen beauty - the two actually resemble relatives.

This is really basic film noir, even if wrapped in a colorfully trimmed package. We watch major characters deteriorate as they turn lemonade into lemons, and are eventually shocked by unexpected events of mental cruelty. This was one of Shamroy's four Oscars®, and the impeccable art direction also received an Oscar® nomination, as did Tierney, who received the only Oscar® nomination of her career, losing to Joan Crawford. A must-see for fans of 40's glamour and film noir classics, from a novel by Ben Ames Williams.

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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