Showing posts with label Television. Show all posts
Showing posts with label Television. Show all posts

Tuesday, May 12, 2009

Control Room

Jehane Nouhaim, 2004 (8.9*)
This is an excellent documentary, obviously shot by director Jehane Houhaim with a modest budget and crew, but one given a wide degree of access to all concerned. The film attempts to show the coverage of the Iraqi war from both sides of the issue, and expose the bias inherent in all newsmedia. We see more of the Al Jazeera coverage, who broadcasts to 40 million in the Arab world, but we also see the US Army's head media (ie, propaganda) liaison officer and hear the standard US pitch on events (liberate the people, make em safe, etc). We also go into the front lines of the war for at least one harrowing incident.

The filmmakers don't make a judgment but show some indicents that didn't get full coverage here in the US, such as the suspicious targeting of three different journalists outposts with missile attacks, killing three from Middle Eastern news sources. So much for freedom of the press, as the US said they shouldn't have been in war zone to begin with, preferring to brief the media themselves daily with the US version of events.

This is an important work for both sides to see, no matter what your own political stance, this is simply good documentary filmmaking and concerning an important era in history. As a BBC journalist states, "all media coverage is biased, they slant the news the way their audience wants to hear it. You listen to Fox for the right-wing, U.S. patriotic view, you watch Al Jazeera to get the opposite view for the Arab world."

As the director of 7-yr old Al Jazeera states, "this war will be a footnote in a few years, no one will still be talking about it, such is the attention span of modern man." Let's hope that films and other media keep it as alive in public consciousness as they have WW2.
[In English, with some subtitles]

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Saturday, January 24, 2009

Broadcast News


James Brooks, 1986 (9.1*)
One of James Brooks’ (Terms of Endearment, As Good As It Gets) best films, an expose of how major network news operates from behind the scenes. This is my favorite Holly Hunter performance (Oscar® nominated), as news producer who is so distraught by her job that she regularly takes crying breaks, then she’s ok again.

Her best friend, reporter Albert Brooks, also Oscar® nominated, keeps her and the film from getting too heavy, and has a hilarious scene on camera. William Hurt is an upcoming news anchor, nice to look at but vacant upstairs. Both are interested in Hunter, and all three were nominated for Oscars. Hurt’s idol is Washington, DC anchorman Jack Nicholson, who rarely takes a supporting role this minor, and uncredited.

Kind of a “dramedy” if that’s a word, it’s really a drama with some light touches. Seven Oscar nominations, including Best Picture and Screenplay, but no awards.

Note: James Brooks got 3 Oscars for Terms of Endearment, and created Mary Tyler Moore and Taxi for tv, and has 8 nominations overall.

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Tuesday, January 20, 2009

30 Rock


Adam Bernstein, Don Scardino, Gail Mancuso, 2006 (9.3*)
Emmy, GG for Best Comedy

I’m hesitant to watch any commercial tv, so I hadn’t seen 30 Rock until checking it out on dvd, and it’s brilliant. Tina Fey as show head Liz Lemon, has never been this funny on SNL, in fact, producer Lorne Michaels (SNL creator) has never done anything this funny, so I assume all the credit goes to Fey. Her multitude of awards for this so far (four Emmys alone for her, 9 overall, plus Golden Globes) are all well earned, for acting, writing, best comedy awards as creator/producer.

Emmy-winner Alec Baldwin has always been funny, now he’s in the perfect role as GE executive Jack Donaghy sent to oversee Fey’s show, starring Jane Krakowski (Ally McBeal, the bra inventing receptionist), called “The Girlie Show”. Tracy Morgan has also never been this funny, brought in to make the show more hip (in another era, 'tokenism') – his character and dialogue both suit his style perfectly.

It’s even more fun that they satire their own industry, including both NBC and GE – nothing is sacred here, even product placement. When Donaghy wants Fey to promote GE industrial turbines in the show, Fey says “I’ll not prostitute my show to include product plugs”, we immediately see about five for Snapple (a show’s sponsor), including a guy getting off the elevator dressed as a bottle of Snapple. You’ll find yourself laughing out loud, rare for network tv since they act like we're all about 11 years old. Eventually even GE's CEO does a cameo appearance..

Even the guests are great:
Isabella Rosselini has a meaty part as Baldwin’s psycho ex-wife (in a divorce proceeding, he demanded “also all the love letters of your parents”, and of course, her parents were Ingrid Bergman and Roberto Rosselini) – he also gets to make disparaging comments about her ("she always wanted to make love standing up"), and of course Baldwin’s ex is Kim Basinger.
Paul Rubens had a hilarious guest spot as the last of the male Hapsburgs in one crazy story.
Tim Conway won an Emmy as a season two guest.
Funniest ‘guest’ to me though is SNL alum Rachel Dratch’s pantheon of characters, who all seem to have bad hair and teeth. The dvd’s are generous, with eight episodes per disc.

Kudos all around on this series, it looks more like cable than a major network.

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Wednesday, January 7, 2009

The Truman Show

Peter Weir, 1998 (8.4*)
This parable on modern existence from master Australian director Peter Weir (Witness, Fearless, Picnic at Hanging Rock, The Last Wave, Mosquito Coast) was a breakthrough for comedic actor Jim Carrey: we all finally discovered he could seriously do drama as well. Here he plays unsuspecting ‘everyman’ Truman Burbank, who doesn’t know that his every move is being watched as a live reality show, and is extremely popular, as his audience is addicted to his everyday struggles with life, work, romance (with Laura Linney), and friendship with Noah Emmerich.

The tv show is brilliantly conceived and directed by Oscar-nominee Ed Harris, in perhaps his best performance; he has to deal with a couple of hundred cameras, and an unpredictable, curious, intelligent, and increasingly mobile subject; he also has to exploit the audience's sense of conscience without having much of one himself; in short: he's the god of Truman's world. Truman is a likeable guy, so everyone pulls for him and the film audience becomes like the tv audience, so there’s a nice circularity to it all. This is a fantasy bordering on modern reality, perhaps a bit too accurately – it’s actually kinda scary in a Big Brother kind of way, where God is the director and everyone’s watching our every mistake and apprehension and shortcoming blown up larger than life, without our knowledge, but somehow with the feeling that we’re being monitored. Paranoia Planet!

Note: If you like this concept, check out the more comedic Ed TV from director Ron Howard, in which Matthew McConaughey signs a contract to do the show so he knows he's being filmed by producer Ellen Degeneres. Unfortunately, he's not the actor Carrey is.

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Wednesday, December 24, 2008

Scrooged

Richard Donner, 1988 (7.6*)
Ok, so it’s not a great movie, it’s still another enjoyable Christmas film, and certainly a unique update of Dickens’ A Christmas Carol, with humor replacing the seriousness. Bill Murray is a heartless tv-exec, making everyone perform a live holiday special on Christmas Eve (with Buddy Hackett and a tumbling Mary Lou Retton in a schlocky tv version of A Christmas Carol, no less!). He’s a total scrooge, not even softened by his big-hearted secretary Alfre Woodard.

In some hilarous visits from ghosts, especially a masochistic Carol Kane, he starts to soften up and realize what a jerk he’s become. Lots of great cameo roles here: Karen Allen as Murray’s ex-girlfriend, Robert Mitchum as a numbers-conscious network exec, Bobcat Goldthwaite as a shotgun-toting disgruntled employee, Eliott Loudermilk.

Quote: oooo... you know I like the rough stuff! (Carol Kane)
Quote2: Did our guys do that? We’re gonna get phone calls! (the ghost of Christmas present shows him a vision of hell inside his coat) (Murray)
Quote3: He called you a flatulating butthead, and he likes you in a certain kind of way (Bobcat to Mitchum)

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Wednesday, September 3, 2008

Network

Dir: Sydney Lumet, 1976 (9.1*)
Best Picture (AA)

AFI Top 100
This movie about a tv show has proven to be very prophetic, network producer Faye Dunaway (Oscar nomination) is looking for something new and groundbreaking, and a talk-show host having a breakdown comes her way. Peter Finch’s terrific performance as Howard Beale is now legend, he also won the only posthumous Oscar in history as he died shortly after filming; ironic, as his character "dies" nightly at one point. William Holden (Oscar nomination) gives one of his best performances as a tv executive with a conscience in a world without one, his wife was Oscar-winning Beatrice Straight, also terrific . This film foresaw reality tv, schlock-show hosts, and live terrorism.
Quote: I’m mad as hell, and I’m not gonna take it anymore! (Finch)

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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