Showing posts with label Steven Soderbergh. Show all posts
Showing posts with label Steven Soderbergh. Show all posts

Tuesday, November 24, 2009

Che

Steven Soderbergh, 2008, two parts (8.0*)
Best Actor, Cannes

Ernesto 'Che' Guevara was a wealthy Argentinian doctor with a wife and five children, who gave up his comfortable life to help bring justice and dignity to the poorest classes in the Americas south of the U.S. If his was a U.S. 'pro corporate capitalist' story, he'd be a national hero here as well, rather than just in the rest of the world.

This bio of Che's guerrilla wars in Cuba and Bolivia is really two different films, but both are based on his diaries (he wrote five books). The first, originally called "The Argentine" is about the Cuban revolution, beginning with Che and Fidel in Mexico, then sailing for Cuba with just 82 men; it ends with the successful overthrow of military dictator Bautista, who fled Havana when it was obvious the rebels had succeeded. The cause was US corporations buying farmland from landowners there, and kicking off poor sharecroppers, who got nothing for their years of service. With 20% nationwide unemployment, many who had nothing else to do joined the guerilla army in the mountains in the east, and the movement steadily grew. This film also splices in media interviews and speeches of Che's at the UN after the revolution's success, all in black and white, while the war history is all in color.

The second, and more depressing half as it ends in failure and death, is 'Guerrilla', about the ill-fated and tiny Bolivian Liberation Army, which never exceeded 37 people, and was just 22 strong when he was finally captured and executed, after being hunted for a year by 5000 (or more) Bolivian army troops and US 'specialists' (meaning military and CIA intelligence personnel). What this film is lacking is showing the popular support in the cities, where over 100,000 were striking in support, as students, teachers, government, energy, and mining workers were all on strike in sympathy. Benecio del Toro gives a remarkable performance in these films, and was justly rewarded with the best actor award at Cannes. Unfortunately, the films fail to give us any other fully realized characters, including Castro himself.

These make a nearly exhaustive biography of Che when added to Brazilian filmmaker Walter Salles' excellent film The Motorcycle Diaries (2004), about his travels around So. America on a motorcycle with best friend and fellow doctor Alberto Granada (who later founded the modern hospitals in Cuba). All these films are based on Che's own diaries, so we have an accurate first-person account of the important events of his life. Even though I would personally prefer Gandhi's non-violent approach to political change, I wasn't a doctor watching poor people dying daily from lack of healthcare, money, and food while U.S. corporations made billions in profit without sending a dollar of support, but rather syphoning off the wealth of these nations' natural resources for their own benefit alone. UN global economic experts today still bemoan this policy, enforced through the U.S. control of the Int'l Monetary Fund (IMF) and the World Bank, which make multi-billion dollar loans to governments, but often only if they enforce regulations that benefit only U.S. based corporations at the expense of the local citizens. (ie, Africa can export raw peanuts, but is NOT allowed to make the more profitable peanut butter!)

These will basically appeal to war and history buffs, and those with revolutionary sympathies, which pretty much means a tiny western audience. Che said "a true revolutionary has to have a love of humanity, and a desire to see justice and dignity for all - I can't imagine any true revolutionary without these traits". In a century with very few real heroes or anyone who caused political or social change, Che, ranks alongside Gandhi, Mao, and FDR, and will inspire generations of revolutionaries worldwide.

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Sunday, June 21, 2009

Ocean's Eleven

[Both versions]
Lewis Milestone, 1960 (6.4*)
In the original, we had the somewhat appealing, though often obnoxious original Rat Pack starring, of course led by Frank Sinatra as the mastermind (what else) behind robbing three casinos in Las Vegas at once. Danny Ocean, fresh out of prison, and eleven of his cronies. I think part of the appeal of that idea is that the whole group already robbed Vegas with huge salaries for being mildly entertaining on stage together, and adding Hollywood legitimacy to a criminal enterprise, based on bilking tourists at every turn.

The script had some light humor attached to an intricate robbery heist, which had a couple of plot twists along the way. Nothing terrific, just some entertaining fluff allowing Sinatra to play the gangster, and also the brains of the outfit. You had to be able to stomach Dean Martin, Peter Lawford, Sammy Davis Jr, and Joey Bishop in order to enjoy this heavily plotted film, but it's ok late night tv fare.

Stephen Soderbergh, 2001 (5.8*)
The curiousity here is why the remake? Other than, of course, that Hollywood never met a remake it didn't like (Vanishing Point, Bad News Bears did not need remakes, maybe Seabiscuit did). First of all, no modern rat pack. The cast assembled is George Clooney, Brad Pitt, Matt Damon, Casey Affleck, Eliot Gould, Carl Reiner, Julia Roberts, and some unknowns, while Andy Garcia is being robbed. An affable but hardly daunting criminal group, and a waste of some Oscar-winners with little to do here - and certainly not an organized 'gang' like the rat pack.

Second, the original was hardly a classic, had no pace and plodded along until the major setup all happens at once. For the remake, the usually reliable Stephen Soderbergh updated the time, the casino names, made it the Bellagio, and two others who share that vault that they are robbing. They changed the plot, so if you're a fan of the original, it's not the same story, but you'd guess that ahead of time, else no surprises in the movie at all. There was also never a sequel to the first, thankfully, now they've already made a sequel to the mediocre remake, Ocean's Twelve - more of the same tedium, too boring to remember. This could get old very slowly, like the pace of the remake - if anything they found a way to slow down the original.

These films show what happens when they aim for the 'mass appeal audience'. The original is worth one viewing at least. As Sinatra would later say when playing solo, "I miss the boys."

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Monday, September 8, 2008

Sex, Lies, and Videotape

Dir: Steven Soderbergh, 1989 (8.2*)
Palm D’Or (Cannes)

James Spader, as Graham, currently jobless and alienated, connects with old friend John (Peter Gallagher), is an attorney having an affair with the sister (Laura San Giocomo), of his wife, Andie McDowell. The wife finds a friendship with Graham, and finds that he makes videotapes of women being interviewed about intimate subjects, in a kind of video therapy. All are changed by subsequent revelations. A slow, intellectual film, this is mostly conversation, which will bore some people, but enthrall others, hence the awards it received. Excellent filmmaking.

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Sunday, August 31, 2008

Traffic

Dir: Steven Soderbergh, 2000 (9.1*)
Best Director Oscar

Based on a European tv miniseries, this rewrite tells several intertwined stories of people affected by drugs and smuggling. Michael Douglas is a Senator and anti-drug czar, whose daughter is dabbling in drugs, Benecio del Toro (Oscar for Supp Actor) is an anti-drug detective in Mexico, Catherine Zeta-Jones is the wife of a drug kingpin. The star is director Soderbergh, who uses color tinting to connect the different stories together visually, and wrote the script that is basically a flawless integration of all these stories. The film won every Oscar nomination it got except Best Picture, losing to Gladiator. 4 Oscars

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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