Showing posts with label David Fincher. Show all posts
Showing posts with label David Fincher. Show all posts

Wednesday, January 26, 2011

The Social Network

David Fincher, 2010 (8.4*)
I love David Fincher but was not as impressed with Social Network as some of his other films, such as The Game, Fight Club, and Zodiac. Network is well-crafted, but these other films had an existential edge that put people in life or death situations.

Social Network only put people in lawsuit situations as the film was about a liar, a cheat, and a thief, played with little acting by Jesse Eisenberg, who is about as bland as a computer bytehead ought to be; and about a white collar criminal, who, rather than serving time, has been made a billionaire by this unscrupulous system. It's more enraging than entertaining, a sad statement on the current economic reality, that if you're willing to steal data, hack into proprietary computer systems (with immunity I might add), and cheat your partners, such as CFO Eduardo Saverin (effectively played by Andrew Garfield), then maybe you too can become an American billionaire and a folk hero. And who needs old friends, many new ones will flock to the money once you have it, especially the babes; and who cares why they're there - the important point is that they're hanging around.

All in all, this is not a very respectable businessman, or even a worthy human being. In the film, he has no friends for a good reason, he's pretty much a despicable egotist with obvious disdain for most others. The film even begins with a display of his egotism, which causes his current girlfriend, Erica Albright (Rooney Mara) to break up. In spite he embarasses her in his blog online, which is really a slanderous offense, so I hope she later got some money from this all-American jerk.

This is how the founder of Facebook Mark Zuckerberg got his start: he hacked in and stole The Harvard Facebook, which was an online directory of university students with ID photos, very much like an online yearbook. He then had a 'rate the girls' contest with the photos of the female students, in which he paired two at a time on his blog site. His penalty when caught? Academic suspension for six months, which then gave him more free time to do more hacking and stealing. He then did the same to some other universities, committing a federal crime in each case. Where the heck was the FBI?

A couple of entrepreneurs, who row crew for Harvard, came up with the idea for a Facebook styled reference just for Harvard U. that he agreed to work on for them. Rather than show them anything, he kept stalling them while he created Facebook for himself. So there's the story in a nutshell; it's public knowledge, this film just adds a few personal confrontations and anecdotes, and is told is flashback style from some legal depositions for the lawsuits, as this immature kid created nothing but enemies. He had no real original ideas, just a few minor enhancements to existing networks, such as the 'relationship status' of the individual (whoopee..) and he didn't even create a unique name. This is very similar to simple online resume and job sites, all that was basically added was a message system like the 80's style bulletin boards. So, combine personal resumes with 80's level internet, and 'boom', instant success with very little work.

Ironically, in California to seek venture capital, he teams up with Napster (ie, stolen music) creator Sean Parker (an effectively obnoxious Justin Timberlake), who admits "everyone was suing us, so I just said 'fuck it' and declared bankruptcy." Yep, avoid all liability and punishment by just going bankrupt; what a clever system the lawyers have devised to protect guilty capitalists at the public's expense, as only corporate not personal wealth is at risk; you can keep whatever you managed to steal or get as 'compensation', and if the corporation is 'bankrupt', none of the guilty lose anything except a job, but someone else crooked will always hire a crook with experience. It's only fitting that these two should team up in Facebook's early success.

Fincher and the film will apparently win many awards this year, but I preferred the fight for survival in the austere crime film Winter's Bone, and the mind-blowing complexity of the sci-fi film Inception. However, this belongs in the short list of films worth seeing about capitalism, which includes Wall Street, Rogue Trader, Boiler Room, Executive Suite, The Hudsucker Proxy, Putney Swope, How to Succeed in Business Without Really Trying, and Tucker: A Man and His Dream. Ironically, only Suite and Tucker were about anyone with any real ethics and original business ideas, the rest were about con artists, thieves, and manipulators.

Awards page at IMDB, it's up to 55 so far.. it's also #167 on the IMDB top 250 films..

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Thursday, May 7, 2009

The Curious Case of Benjamin Button

David Fincher, 2008 (7.8*)
I'm usually a fan of David Fincher's films, each one has an element of fantasy, yet is made to seem real. Fight Club had Ed Norton battling his insanity, with friends; The Game found Michael Douglas running from unseen enemies as a birthday present from brother Sean Penn. Only Zodiac attempted to be factual, and that was based on the theory of a journalist. Here Fincher films an F. Scott Fitzgerald fantasy story, thanks to an excellent screenplay by Eric Roth, an Oscar®-winner for the Forrest Gump screenplay. This script is not as sharp or crackling with lines, but does treat its subject with a certain reverent gentility.

Benjamin Button is born on the day World War I ended, and his mother died in childbirth. His dad, taking a look at the infant, who was born old, leaves him on the steps of a nearby house for the elderly, and mama for Benjamin becomes an African-American who works in the house, played by Oscar®-nominee Taraji P. Henson. While growing but remaining old he meets a little girl that becomes his lifetime friend, later played by Cate Blanchett. Even as a short, old-looking child, the role is played by Brad Pitt in an amazing Oscar®-winning makeup job.

We eventually discover along with Benjamin that he's not growing older but younger and he adapts to feeling better daily by taking his first job on a tugboat. Fincher makes both the river journeys of the tugboat and later some shots of Lake Ponchetrain look like the old hand-tinted postcards, so the early parts of the film are steeped in Americana. The later parts chronologically, and how the film actually begins for the viewer, use a plot device of having Julia Ormand read Benjamin's diary to an invalid in a hospital who knew him, so we get Benjamin's story in retrospect and from his own words.

This is a gentle, if lengthy fable, running about 2 hrs, 48 minutes. The length kills the pace a little, but fans of film fables such as Field of Dreams and Big Fish should enjoy this, as well as fans of David Fincher. The cast is excellent and also includes Tilda Swinton. The film received 13 Oscar® nominations, the most for 2008, but lost to Slumdog Millionaire in nearly every major category, a film with admittedly more energy and better pace. Three Oscars® for art direction, visual effects, and makeup.

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Wednesday, April 22, 2009

Fight Club

David Fincher, 1999 (8.1*)
Great entertainment, as are most Fincher films (The Game, Benjamin Button), with a few statements thrown in about nihilism, anarchy, and self-absorbed insanity. Edward Norton plays a bored corporate lackey fed up with his nowhere life. One night he runs into Brad Pitt at a bar and they have a fistfight that has a cathartic effect on each one, so they make it a habit. Others later join in the “good ole boy” mayhem, and they form a club, hence the title. Of course its illegal, so the first two rules are “don’t talk about fight club.”

One of Norton’s best performances (but best is still American History X), but I also liked Helena Bonham Carter a lot, totally out of character here as Norton’s nihilistic girlfriend. Eventually the club becomes a gang, with bigger things on their agenda. This film was so hilarious to me, that I found myself the only person laughing out loud in the theater, then I later read that Fincher said “I make comedies yet no one laughs in the theater – they don’t get it.” Well, I did – this is a funny, violent, and influential film that actually spawned fight clubs across the nation. Just one word for all these idiots: boxing! You don’t break your hands or jaws as often and you still get to beat each other senseless if you like that. Yo meatheads, or is it Meatloaves (since he was in this), its just a film!

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Saturday, December 27, 2008

The Game

David Fincher, 1997 (8.6*)
This is pure adrenaline pumping entertainment. Sean Penn has a wealthy brother, Michael Douglas, who does little but run his corporation. For his birthday (what do you give a billionaire who literally has everything?), Penn enrolls Douglas in a mysterious sounding "Game", which promises unique excitement designed for the participant.

What follows is far more than Douglas bargained for when he signs a release to waive liability in case he dies, which is a distinct possibility. When he tries to investigate 'the company', it's completely disappeared. Debra Kara Unger is the mysterious blonde who helps him escape gunfire and attempt to survive the Game. David Fincher (Fight Club, The Curious Case of Benjamin Button (2008), The Social Network (2010)) always makes interesting and unique films that keep you glued to the plot, this one could be his best.

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Wednesday, August 27, 2008

Zodiac

David Fincher, 2007 (9.0*)

This is a riveting, intellectual police investigation film, not an action thrill ride, and it is another riveting film from excellent director David Fincher (The Game, Fight Club, The Curious Case of Benjamin Button). Even though a bit overlong, it is still gripping and intense throughout its length. The cast is uniformly excellent, especially Jake Gyllenhaal (Donnie Darko), and Chloe Sevigny (wife 2 on Big Love), even Anthony Edwards in a small part, though Robert Downey does mumble his lines a bit, and can be hard to understand.

This film will shed more light on the Zodiac killings than most of us know, this will likely be the definitive film on these murders and perhaps close the book. If you haven't, see ALL of David Fincher's films, they entertain and stick with you awhile.

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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