Showing posts with label 2002. Show all posts
Showing posts with label 2002. Show all posts

Tuesday, March 1, 2011

Red Dragon

Brett Ratnor, 2002 (7.6*)
This was author Thomas Harris' first of the Hannibal Lector novels, and it was actually filmed first as well, by Michael Mann as the tv movie looking Manhunter, with William Peterson. The film went unnoticed, and thankfully after the success of The Silence of the Lambs (1991), a best picture Oscar® winner, it was refilmed by director Ratnor in the style of Silence, with Anthony Hopkins repeating his role as Hannibal. Unfortunately the only other cast member aboard is Anthony Heald as Dr. Chilton, head of the prison where Lector is confined.

This film starts with Hannibal being discovered by FBI agent Will Graham, well played by Edward Norton, though it seems a bit odd seeing him on the proper side of the law - after Primal Fear and American History X (1998) , many viewers will expect Norton to be somewhat psychotic and out of control. Ralph Feinnes stars as the serial killer known as the Tooth Fairy, who, like real serial killer Ted Bundy, likes to bite his victims after they're dead.

This was a pretty eerie book, perhaps a better novel than Silence, yet the film isn't as creepy as Silence, perhaps due to Jonathan Demme not directing, perhaps due to the story. There is one major positive in this one: the painting Red Dragon by William Blake, the metaphysical artist, poet, and philosopher, which becomes the metaphor for the transformation of a human into a super-being, in this case a human-devouring dragon.

It certainly has an impressive supporting cast, as Emily Watson plays Feinnes blind girlfriend, and Philip Seymour Hoffman is a scandal rag journalist, for the "National Tattler" (read "Enquirer"), who likes to think he's a major crime reporter with national importance. Mary Louise Parker is unfortunately miscast as Graham's wife.


For fans of Harris' novels and Demme's film, this is a spine-tingling must-see, for others it will likely be a tossup.

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Monday, December 6, 2010

El Alamein

Enzo Monteleone, 2002, Italy (8.1*)
A war film unlike any other you've likely seen as it covers the harrowing situation of Italian troops on the front line in North Africa. Little did we know in the west that the troops were basically given up for dead by the Italian command; men were forced to eat horses and drink their own urine when their water ran out. In spite of that, they bravely fought on as if they had a reason.

This film shows the nearly schizoid mindset of Mussolini, as instead of sending water to his troops, he sent a truckload of shoe polish so their boots would shine when they marched into Cairo, and his own personal horse so he could proudly ride in with the troops. Meanwhile the Italian positions were being overrun by Allied tanks, and the Italian soldiers were cut off from all supply lines.

This is a gritty and tough war film, one you won't easily forget. It is also a human story that follows one platoon, soldiers that were fighting on bravely in spite of the insanity of their government and military leaders. This should be on everyone's list of must-see dramatic war films, and on the large list of great Italian films, who seem to excel in realism.

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Monday, July 19, 2010

Bloody Sunday

Paul Greengrass, 2002 (8.8*)

The events of the day now known as Bloody Sunday in 1972 in No. Ireland are shown in documentary style as they unfolded for each of the participants. Director Greengrass (United 93) excels at this type of recreated documentary, using well-researched facts to recreate historical events as accurately as possible. His films have the look that journalists just happened to be there, up close, and were able to film events from an eyewitness perspective.

Here Greengrass shifts between the politicians planning a civil rights march in Derry, Northern Ireland, which has been prohibited by the British occupying forces, to the command of the local British army unit, to local teens planning on participating in the march. This style maintains the tension throughout even if you know the march's outcome already, even though it begins more slowly then builds momentum. The resulting tragedy is almost too much to witness again; I imagine that many in the U.K. can't find the strength to view this film.

Bloody Sunday won 19 awards worldwide, and garnered another 21 nominations. The awards page at IMDB

This intimate style of Greengrass's also worked very well in his riveting story of the events of 9/11 as they unfolded in the film United 93, in almost real time.

Greengrass (photo rt) was ranked #56 on the list of "most influential 100 in British culture" in 2008

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Tuesday, April 20, 2010

Warriors

aka Guerreros
Daniel Calparsoro, 2002, Spain (8.4*)

A well-done and at times gripping war film that follows a small Spanish detachment in Serbia, which gets ambushed and separated from the main units in what begins a harrowing journey in hostile territory. The war action here is very well filmed and edited and makes the viewer feel that war is truly hell for all involved. The film also exposes the complexity of modern war in a region like this, when you have various armies, a "UN peacekeeping force", and other neutrals all thrown into a situation of conflict.

Calparsoro does a good job balancing the fact that war is hardest on civilians, yet soldiers under attack from all sides are also faced with human emotions and instant responses which may or may not have been the best in retrospect. Fans of war films with action, and fans of anti-war films alike will enjoy this Spanish classic.

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Friday, March 26, 2010

Together

aka He Ni Zai Yi Qi
Chen Kaige, 2002, China (9.5*)
Perhaps the greatest father-son story yet captured on film. Chen Kaige abandons his customary huge-scale epic costume drama to make a small intimate film about the intensely personal affection of a father and son. A poor worker from a small Chinese city (touchingly played by Peigi Liu) has a talented musician son who wins all the local violin competitions. He decides to take his son to Beijing to find a world-class music professor for his son at his own expense in order to elevate him to the level of professional international musicians.

This is a very engrossing and touching film with just five characters: the son, his father, two different music teachers, and a pretty young woman who befriends the teenage boy, in effect becoming a surrogate mother, and pays him to play privately for her. For me, this is Kaige's most successful story, and also his most innovative direction, which seems to have a very European cinematic style. A must for fans of classical music, especially violin music. Director Chen himself plays the more noted professor.

Note: Kaige is best known for large-scale costume epics such as Farewell, My Concubine and The Emperor and the Assassin

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Sunday, March 21, 2010

Rabbit-Proof Fence

Philip Noyce, 2002, Australia (9.2*)

Best Picture, Australian Film Institute
Excellent adventure based on the true story of three girls from Australia's Stolen Generations of mixed-race children forcibly taken from their parents by the authorities in the interest of "aboriginal racial protection". The three sisters escape a school that is really more like an internment camp for juveniles, then head for their clan's outback home 1500 miles away by following the knee-high rabbit-proof fence that keeps rabbits on one side, farms on the other.

Kenneth Branagh has a supporting role as the Chief Protector of the Aborigines (as Mr. Neville, humorously called "Mr. Devil" by the girls). Everlyn Sampi is terrific as the oldest girl, Molly, whose savvy made her an elusive quarry for the white Aussies. This inspiring story is based on true events of 1931, and is taken from the non-fiction book by Doris Pilkington Garimara.

Rabbit-Proof won 21 awards, including Best Picture from the Australian Film Institute and the audience award at seven film festivals, and had another 24 nominations: Awards page at IMDB

If you like this film, it makes a perfect trilogy with the Australian films Walkabout and Australia, and is chronologically the centerpiece film. Aboriginine actor David Gumpilil, who starred in Walkabout, plays the tracker following the girls in Rabbit-Proof.

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Wednesday, December 9, 2009

Mr. and Mrs. Iyer

Aparna Sen, 2002, India (9.6*)
(mostly in English with some subtitles)
This small film is one of the most inspiring and heartwarming you can see, so this makes the perfect holiday movie. Directed and co-written by former actress Aparna Sen, who has crafted an understated story about travelers on a bus, from a multitude of backgrounds, and who are able to forget their political, religious, and cultural differences in a time of need and simply become humane people befriending and helping strangers whenever possible.

The story concerns a young married Tamil Hindu mother, Meenakshi Iyer played by Konkona Sensharma, traveling alone with her infant son, Shandaman, beginning a bus trip by saying goodbye to her father. He meets a male photographer, Raja (in a brilliant and subtle performance by Rahul Bose), also traveling alone, so the concerned dad enlists Raja's chivalry in ensuring that his daughter and grandson arrive safely at their train to Calcutta to reunite with her husband. What follows is an often pleasant journey that eventually literally hits a roadblock and traffic jam at a river crossing with much confusion as to the cause.

There are many small stories here (with perfect casting, esp. the baby "Santa", as Raja calls him), interwoven into one tapestry of human kindness and caring in spite of unrest and turmoil in society, as this takes place in a world of warplanes, terrorism, and even community riots, which are sadly commonplace in parts of Asia. India alone has 17 official languages, so most people learn and communicate in English, as in this film. I don't want to give away too much here, as there are several plot surprises that propel and intensify the story and make it engrossing as well as inspiring.

This film won 9 of the 10 award nominations it received internationally, most were best film or screenplay at smaller festivals [Awards page at IMDB]. For me, this is one of the best Indian films I've seen, there are no Bollywood songs, just a couple of poems set to music as part of the terrific film score - even the music itself is inspiring, especially one song that is a 10th century poem from an Indian poet-saint, which also begins the film:

For what shall I wield a dagger, O Lord
What can I pluck it out of, or plunge it into
When You are all the World?
- Devara Dasimayya, 10th century

This film and its story are just as eloquent as this poetry, as director Sen has successfully risen above religion to create the most perfectly spiritual story imaginable about the selfless love arising from friendship.

[Note: for those not familier with Indian regional cultures, this will be a fine introduction into all the different people there, and the still too prevalent idea of the caste system, as you hear bigoted comments like "you don't know what kind of person cooked the food" - while I'm thinking: just be glad you have food at all!]

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Saturday, February 28, 2009

The Cuckoo

Alexsandr Rogozhkin, 2002, Russia (9.0*)
One incredibly beautiful location, an alpine Finnish lake without a settlement in sight, makes this small, sparse anti-war film a rare treat. The story begins with a condemned Finnish soldier being chained to a rock as a sniper, and we follow his story in this locale, which appears to be a very rural area of Finland. The tale eventually involves another soldier, a Russian, and a local laplander woman, none of whom speak the same language.

Anni-Christina Juuoso is a delight as the widow they run into, self-sufficient pioneer who lives alone in the wilderness since her husband died. This simple plot device works very well to illustrate the futility of international hostilities, and that compassion and sharing are the true human virtues. One of the more austere, yet thought provoking films you will see, and the cinematography is breathtaking.

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Wednesday, January 28, 2009

The Twilight Samurai

Yoji Yamada, Japan, 2002 (9.2*)
This is a beautifully simple story of a samurai in 1870's Japan who has grown weary of battle and who now just wants to take care of his family. Seibei, played by Hiroyuki Sanada  is just a low-paid storeroom worker at the clan castle helping keep up with the emergency food supply in case of war or siege, and is derided by his fellow workers as the "Twilight Samurai" because he no longer even goes out drinking and carousing with them.

However, Seibei's wife has died from consumption and he takes care of his two daughters and aging mother by himself, and is content with this. His best friend, whom he grew up with, is a more successful samurai, and his sister also grew up with Seibei, so she becomes involved again with Seibei's family after moving back to her brother's house after a bitter marriage.

This is not an action samurai film, with only two small man-to-man swordfights, but is an intelligent elegy to an entire culture in its last days. There's some beautiful scenery here with Mt. Fuji in the background, flowering cherry trees and azaleas, and classical Japanese architecture. This story will grow on you more and more after you've seen it, one of the best samurai films.

37 Awards overall (with just 43 nominations), including going 12 for 14 at the Japanese Academy Awards

Quote: In order to kill a man, you must have the ferocity of an animal and a carelessness for one's own life.

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Friday, December 26, 2008

Hero (China)

Zhang Yimou, 2002, China (10*)

This astounding film is quite simply one of the greatest films ever made in my opinion; it's also the highest grossing film in Chinese history which gives you some indication. Jet Li said it was the best script he has ever read, and left him in tears. The film's visual lyricism is sheer poetry, and the sound is so good that Bose used it for a tv ad for their surround system. The plot is full of twists and turns, as an assassin is telling the film's narrative to the King of Qin of how he defeated three assassins, one of them Ziyi Zhang, long-time enemies of the king from neighboring kingdoms, and the story changes as he tells it.

Director Zhang Yimou's (director of 2008 Olympic opening) masterpiece, at least two years in the making, and Yimou had to employ another director for the martial arts sequences - this was a major epic undertaking, which also used thousands of extras from the Chinese army. This is a film you'll watch over and over, and likely in Mandarin without subtitles once you know the story, so that the awesome visual compositions have no distractions.

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Friday, December 12, 2008

The Bourne Trilogy

Roger Young, Paul Greengrass, 2002-07 (9.0*)
This is a nearly perfect series of spy films, with just the right mix of action and deeply complex plot development. Matt Damon has finally found his mark with these films, who knew he would be a perfect Bondish spy with deadly skills and a boyish American charm that you could trust?

The series begins with Bourne Identity, when he awakens in the Mediterranean with amnesia, and we slowly learn the facts of his existence along with Bourne; this dvd has alternate endings. Co-stars Franke Potente (Run Lola Run) as his friend. The second film, Bourne Supremacy, adds the terrific actress Joan Allen as a CIA specialist assigned to bring him in. The third film, Bourne Ultimatum, finds him again battling the agency for truth and identity and freedom. This series is actually more rewarding than the 007 films, which are usually too flippant and self-absorbed to be taken seriously (see my two exceptions reviewed here), yet Bourne also has more action than the realistic John le Carre novels (Spy Who Came in From the Cold, Smiley's People). These three must be seen in sequence, they are all a connected story.

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Tuesday, December 9, 2008

The Spider-Man Trilogy

Sam Raimi, 2002-2006 (8.3*)

The Spider-Man series is another superhero series based on comic books, but what makes this one different is that the superhero is nothing but an ordinary nerdish high school pupil, played by Tobey McGuire (The Cider House Rules). He becomes Spiderman when on a field trip he comes across some bio-engineered spiders, gets bitten, and somehow the DNA becomes involved with his and he becomes a sort of humanoid spider with some radical spider-web skills. This is nothing but pure fantasy, but works very well on an action-adventure level if you don't want to think very much, especially since the special effects are top-notch; it's like a high speed comic on steroids.

The first film uncovers the family history and secrets, and tells us why Peter is living with his aunt and uncle, and introduces James Franco as a best friend, Kirsten Dunst as the childhood romance, and Willem Dafoe as the villain, who uses science and technology to become the Green Goblin. The second in the series is probably the best paced and features an imaginative villain with mechanical arms played by Albert Molina, definitely a science experiment gone bad. The third shows unveils Spiderman's "dark side" and even his uniform changes from red to black, but it's the slowest paced of the three.

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Wednesday, December 3, 2008

The Importance of Being Earnest

Oliver Parker, 2002 (7.5*)
Parker once again tackles Oscar Wilde, this time remaking the 40's bw classic. Colin Firth and dedicated bachelor Rupert Everett are best friends. Each has a secret life he has invented to enable getting away: Colin escapes to the city from the country, where he is ward and executor for Reese Witherspoon, while Rupert escapes the city and creditors by fleeing to Colin's country estate. Each man gets into romantic entanglements, Firth with Everett's cousin Frances O'Conner (whose dodgy mother and Rupert's aunt Judi Dench is a stickler for tradition), Everett with Witherspoon. The title comes from Reese vowing to only marry a man named Earnest, even getting the name tattoed on her derriere. This is classic situation comedy, in this case romantic comedy, in which characters will stop at no length to get the mate of their fancy.
Note: In Wilde's An Ideal Husband, the characters all attend a theatre performance of Earnest.

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Friday, November 14, 2008

Catch Me If You Can

Steven Spielberg, 2002 (8.6*)
This amazing true story is also a very entertaining combination of comedy and drama. The story is about one of the most amazing and elusive con artists in our history, played by Leonardo DiCaprio, who was able to pose as an airline pilot (not to fly but to get free travel in the cockpits of other airlines), head of the emergency room of an Atlanta hospital, and a master forger of all types of documents. Without giving any spoilers, the story involves the various cons used while Tom Hanks and the FBI gradually gathers a huge list of crimes while trying to identify and find him.

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Saturday, August 30, 2008

Minority Report

Steven Spielberg, 2002 (9.3*)
This vastly underrated science fiction film from Steven Spielberg concerns an anti-crime unit in the future, led by Tom Cruise, who are told of crimes in advance of their commission by a trio of genetically altered psychics. Colin Farrell puts in a good performance as another detective who becomes involved with Cruise’s character for possible crimes himself.

The specials effects and editing make this another top notch sf film, and by combining all that with crime detectives and basing it on a story by Philip K. Dick (author of the sf novel that was filmed as Blade Runner), you have another classic science fiction film of the highest quality, one of the best five ever.

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Chicago

Dir: Rob Marshall, 2002 (9.1*)
Best Picture (AA, GG)
Loved this, my favorite Bob Fosse musical. The acting in this one was probably the best musical cast in 20 yrs at least: Renee Zellweger (nominated), Queen Latifah (nominated), Catherine Zeta-Jones (Oscar for Supp. Actress), even Richard Gere sang (nominated), and John C. Reilly nearly stole the movie (also nominated). The film is about women who kill men, often who deserved it (a terrific song for that, "He Had it Coming"), and two who meet in prison (Renee and Catherine) and vie for the same ruthless lawyer, played by Gere in a hilarious comedy role. This is full of great choreography, reality and fantasy mixed, yet all worked into the plot seamlessly, rare for a musical. The dvd includes the deleted song "Class", with Catherine and Latifah, one of the best, so it’s hard to believe it was cut out. 6 Oscars

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Wednesday, August 27, 2008

City of God

Fernando Merielles, Katia Lund, 2002, Brazil (10*)

This remarkable film is a modern masterpiece, even more astounding is that it's based on a true story of a photojournalist who took photos of the violence and corruption within the slums. The sarcastically named "City of God" is a housing project for the homeless of Rio de Janiero, and is controlled by violence: from gangs within and the police from outside.

This has some of the most inventive camerawork and editing you'll ever see. Director Merielles (The Constant Gardner) employed German still photographer Katia Lund as co-director based on her experiences working in the slum. Nominated for four Oscars®, including director and cinematography.

If you enjoy this film, check out the sequel City of Men, and also the Brazilian tv show of the same name, which ran about 16 episodes, and actually ended with the two child stars wondering what to do next in their careers and hunting for more work as most child stars fail to move on in cinema - now, that is funny stuff..

Currently ranked #17 on the IMDB Top 250 Films

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Tuesday, August 26, 2008

Gangs of New York

Martin Scorsese, 2002 (9.1*)
This is Scorsese's most ambitious achievement, staggering in scale and execution. It's also based on a true history of New York, at a time when large immigrant gangs controlled the Five Points area of Manhattan, eventually rioting over the draft and causing the U.S. Navy to be called in to bombard the citizens, the only time in U.S. history we warred against our own citizens.

Leonard diCaprio and Cameron Diaz are both pretty good, as lovers who meet when she picks his pocket, but Daniel-Day Lewis is superb as the archetypal villain, Bill the Butcher (head of the "Native American Party", meaning the earlier arriving Irish immigrants), and who won every acting award that year except the Oscar® (18 in all). You'll never forget his glass eye with the U.S. shield as a pupil. Nominated for 10 Oscars®, won none.

Quote: It's not the ballots that decide the elections, it's the counters. (Boss Tweed)
Quote2: You can always hire one-half of the poor to kill the other half. (Boss Tweed)
Quote3: Well, all the good Irish already came over, all we're getting now are the dregs. (Bill the Butcher)

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Artist, photographer, composer, author, blogger, metaphysician, herbalist

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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