Showing posts with label John Frankenheimer. Show all posts
Showing posts with label John Frankenheimer. Show all posts

Friday, November 18, 2011

The Manchurian Candidate

John Frankenheimer, 1962, bw (8.6*)
#81, Top Ranked 1000 Films, 2011 Update, all polls.

This is the film that set the standard for cold-war thrillers, and also put director John Frankenheimer on the map. The film features a thankfully subdued Frank Sinatra in a dramatic role as a Korean War veteran, who returns to America a changed man. He suspects that a hero from his unit, played by Laurence Harvey, may have been brainwashed by the North Koreans. The problem of course is that the entire story could be in his own imagination, he has no evidence.

As the story unfolds, we find out in short flashbacks a little more of what happened in Korea, while the plot moves toward timed conclusion using the countdown technique, which works well here. One of those 'we have three days to save the free world kind of things', because of a plot already in motion which could have world-shaping implications.

Frankenheimer expertly plays into the hands of the paranoid right-wingers who, led by Sen. Joseph McCarthy in the 50’s, began to suspect a red commie hiding inside every industry and business in the U.S. He creates a nighmarish vision of their worst paranoia, that the communists are able to alter the minds of heroic American citizens and then unleash them on an unsuspecting American public – kind of like what Wall St. has done in the new milennium with even greater success than our enemies imagined.

Frankenheimer was a master at a low-key type of thriller that maintained great tension and apprehension throughout, and events seemed to be moving unhampered toward some bone-chilling conclusion. For me, he went on to make even better thrillers after this one. The Train (1964) bw, with Burt Lancaster, was about a Frenchman trying to stop the Nazis from carting off valuable art treasures back to Germany in a trainload of stolen French culture pilfered from the best museums.

Even better was Seven Days in May (1964) bw, in which Lancaster plays a right-wing Chairman of the Joint Chiefs of Staff who is upset with a left-wing President, expertly played by Fredric March in his last performance, who he feels is weakening the U.S. politically, so he plots a military overthrow of the government, while an officer on his staff, Kirk Douglas, slowly suspects the Chairman. This is eerily similar to the arguments made by the CIA against John Kennedy, who had decimated the branch with massive cutbacks in manpower - Langley was said to resemble a 'ghost town' during his administration.

More recently, Frankenheimer directed the excellent heist film Ronin (1998), featuring Robert De Niro and Jean Reno leading a team to recover a stolen briefcase for a suspected IRA terrorist, Natascha McElhone. This barely noticed film runs rings around the big budget, non-stop car chase films, with an intelligent script that allows for some development of complex characters.

Stick with the original (#81 on the all-time top 1000), the remake with Denzel Washington is ranked 2098th by comparison.

Whoa, is this James Bond or some Korean war vet?

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Tuesday, November 2, 2010

Seven Days in May

John Frankenheimer, 1964, bw (9.2*)
[Posted on Burt Lancaster's birthday, who would have been 97 today]

One of director Frankenheimer's best is also one of the most interesting and rewarding from the long career of impeccable actor Burt Lancaster, Oscar® winner for Elmer Gantry. Here he plays an ultra-patriotic military hero, General Scott, chairman of the joint chiefs of staff, a likely future Presidential candidate, and a vocal critic of President Fredric March (who has two well-deserved Oscars® for actor, acting in his last film) and his support of a nuclear disarmament treaty with the USSR.

Leading a surge of anti-presidential sentiment are a phalanx of right-wingers, who use television to stir up the public against the treaty (some things never change). Kirk Douglas plays a staffer of General Scott's who thinks he uncovers some coded messages and a subversive plot within the military. With a countdown style plot, the viewer is in 'edge of the seat' status throughout the entire film. An aging but still classy Ava Gardner adds some romantic interest, which seems a bit superfluous to this plot.

Faithfully adapted from the best-selling novel by Fletcher Knebel and Charles W. Bailey II (with a screenplay from Rod Serling), Frankenheimer has made one of the best political thrillers of all time, in classic black and white, with almost documentary style cinematography from Ellsworth Fredericks. Frankenheimer said that the scene with Fredric March confronting Burt Lancaster in the White House was the most rewarding he ever shot (after March requested many extra rehearsals) - with three Oscars® between the two actors, it's a rare classic mano a mano between two of the best in front of the camera. A very spooky scenario for those who think "it can't happen here".

Lancaster was Frankenheimer's favorite actor, of whom he said "just watching him walk across the room was art in itself". In Frankenheimer's WW2 classic The Train, Burt did all his own stunts, once leaping on a moving train, and often limping badly from an injury that occurred during the shooting.

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Thursday, September 25, 2008

Ronin

Dir: John Frankenheimer, 1998 (9.1*)
A woman, perhaps an IRA terrorist, Natascha McElhone (the blonde ex-wife on cable tv's Californication), hires Robert de Niro and a team of professionals, which includes the terrific French actor Jean Reno, to retrieve a briefcase, without telling them what's in it. This vague information and other secrecy bothers the team, but that's just the beginning of their troubles. This is a heady, intellectual film that also packs some terrific chases and superb editing, a rare combination, a one of the few that begs for a sequel. Excellent all-around, one of the best of the genre.

This is Frankenheimer's high water mark for action films, perhaps his best film, which includes Manchurian Candidate, Seven Days in May, Reindeer Games, and another of my favorites, The Train.

Natascha McElhone is one of the most beautiful women ever captured on film. She deserved much better than Californication, a lame comedy


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Wednesday, September 24, 2008

The Train

John Frankenheimer, 1964, bw (8.6*)
For some reason, this is a WW2 action film that you don't hear much about, but one of Frankenheimer's (Seven Days in May, Manchurian Candidate, Ronin) best films. The story involves Frenchman Burt Lancaster trying stop a Nazi officer from moving a trainload of stolen French art (the national culture!) back to Germany before the war can end. The moral dilemna comes from having to decide if this is worthy enough cause to give up your life, for either side.

Lancaster does all his own stunts, mostly involving moving trains, and can often be seen limping from a shooting injury. Terrific cinematography and editing, with a screenplay that garnered an Oscar nomination, the film got a British academy (BAFTA) nomination for best picture, and deserves to be in the conversation of best war films.

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These are the individual film reviews of what I'm considering the best 1000 dvds available, whether they are films, miniseries, or live concerts. Rather than rush out all 1000 at once, I'm doing them over time to allow inclusion of new releases - in fact, 2008 has the most of any year so far, 30 titles in all; that was a very good year for films, one of the best ever.



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