Sullivan's Travels

Preston Sturges, 1941, bw (8.8*)
[Our post of the top ranked films of Preston Sturges]

A Hollywood director of escapist films decides he needs to experience real life instead of his Hollywooden one. He pretends to be a hobo and hit the road without money or any identity, and of course, with an assumed name, and see how life really is in America at the true grass roots level.

Of couse, he experiences far more than he imagined beforehand, and suffice to say it’s a life-changing experiment. The men he meets give him a new perspective on America and on himself as well. Joel McRea shines in probably his best performance as Sullivan. Veronica Lake (see photo above) provides welcome eye candy, she's quite attractive when she "puts on her face".

I think what Sturges adds is a kind of unabashed honesty that doesn’t seem forced - ok, maybe it is a little corny. That in itself is refreshing, so this film endures as a classic today. It’s also a film about a filmmaker making a film, there aren’t many better that come to my reputed mind. Perhaps only Robert Altman’s The Player (1992), with an altogether different feel, as it’s a serious film with sarcasm, a murder mixed with romance and heavily tinged with cynicism regarding Hollywood and the film industry, where the prime concern is to find a mega-profitable ‘project’, something the public will gobble up.

Writer-director Sturges makes this type of film like no one else except Capra, where comedy, or at least looking at life in a humorous way (it doesn’t have to be gut-busting, insane comedy) is used to get us into a story that then teaches a valuable lesson learned through experience, something you can’t find out any other way, which is your relationship to society and the world.

The Coen Brothers have often cited Sturges as influential on their work. There are similarities of a chase in Raising Arizona (1987) to one in Sullivan’s Travels. The title O' Brother Where Art Thou is the name of the movie that Sullivan wishes to direct in Sullivan’s Travels. There’s a terrific scene of people watching a movie that was repeated with variations in Italian Guiseppe Tournatore’s Oscar®-winning Cinema Paradiso (1988), so the Sturges influence is worldwide, as it should be.

This is a highly underrated comedy at #296 all-time, it’s certainly better than many ranked ahead of it. See the full poll in our 2011 update of the Top Ranked 1000 Films on the Net, all polls. I’m sure it’s among the top 100 comedies, however.

Read more...

The Player

Robert Altman, 1992 (9.2*)
[This is an updated repost of one of my favorite films about films]

Tim Robbins portrays a film producer looking for that next major hit project, who, through an anonymous blackmailer that sends him threatening postcards, becomes involved in a mystery, and his character degenerates into one who may actually stop at nothing to protect his ego and his wallet, and perhaps find love as well.

With the always delectable Greta Scacchi in his sights, who could blame him? He inadvertantly gets involved with her, with completely unforeseen events, through a screenwriter whose script he rejected. I liked the performance of Cynthia Stevenson as Robbins' low-key girlfriend within the studio, who often travels with him 'on business' - and who seems to be the perfect cynical match for her boss.

The Player is a perfect modern complement to Sunset Boulevard, as each presents the cynical and parasitic side of Hollywood and its shallow, self-centered denizens. Robert Altman's best film (for me) includes dozens of famous cameos (around 75), including 16 Oscar® winners, the most of any feature film (of course not including clip films like That's Entertainment). In fact, the dvd has a special menu of all the cameo scenes so you can quickly jump to the one you're seeking.

As another homage to cinema, the opening tracking shot is one of the longest in cinema history as a couple of film buffs argue in one shot of that about the longest tracking shots in cinema history. That has a pleasing circularity to it that will likely go over the heads of most viewers.

Read more...

Hearts of Darkness: A Filmmaker's Apocalypse

Fax Bahr, George Hickenlooper, 1991 (9.2*)
Documentary footage by Eleanor Coppola
Perhaps the most incredible film about the filmmaking process ever made, which was put together by Bahr and Hickenlooper using over 60 hours of Eleanor Coppola's footage that was shot to document husband Francis Ford's monumental effort to make his war classic Apocalypse Now!

We get to see behinds the scenes obstacles, such as how actor Martin Sheen almost died during filming, suffering a heart attack likely brought on by exhaustion. We see Francis wrestling with the ultimate statement of the film, the ending. In one revealing scene he says something to the effect of "I have this incredible journey on film without a destination, without a proper conclusion".

The production faced set-destroying typhoons, lack of financing, disease, and even at one point had their helicopters pulled by the Philippines military to use in fighting rebels. The fact that we have this film at all is really a minor miracle, as Coppola had to mortgage his own personal home to continue shooting.

This is a must-see documentary for all fans of the creative process in general, and filmmaking in particular. Along with Burden of Dreams, which followed Werner Herzog as he filmed Fitzcarraldo in the Brazilian jungle, one of the most moving testaments to a director's obsession with a personal project that simply must get filmed at all costs.

An excellent companion to this film is Eleanor's book "Notes", a non-fiction journal kept daily during the filming.

Read more...

Burden of Dreams

Les Blank, 1982 (9.1*)
Whether you liked or even watched Werner Herzog’s ambitious epic Fitzcarraldo, this documentary on its making is one of the best films about filmmaking ever made. Herzog became so obsessed with his story that he repeated the character's prodigious feat of bringing opera to the Amazon rainforest by moving a huge steamship inland over hills and up to a huge lake where it could move around a large, remote area to bring the first opera ever seen or heard by Amazon natives.

Les Blank and his assistant Maureen Gosling take us to Herzog’s film locations in the jungle. His first location became the scene of a border war between tribes, so he had to move to another location. Moving the steamship using manpower, pulleys, and one bulldozer for backup was very dangerous, so many crew members and a structural engineer walked off the job; another was bitten by a green mambo and immediately amputated his own leg with a machete – if not, he would have died in minutes. Such are the burdens of filmmaking dreams, and none were more grandoise than Herzog’s insane obsession.

Lead actor Jason Robards succombed to dysentery and wasn’t allowed to return to location, so Klaus Kinski completed the film. Herzog also lost Mick Jagger to a concert tour, so this film had many setbacks, and Burden of Dreams becomes a chronicle of Herzog's obstacles to his maniacal obsession - perhaps the most 'larger than life' of all films. This is one of the best documentaries ever made.

Read more...

Singin' in the Rain

Stanley Donen, & Gene Kelly, 1952 (9.8*)

AFI and Time Mag Top 100

A nearly perfect musical comedy, the musical numbers are excellent and the comedy in between is hilarious as well. The story revolves around two romantically-linked movie stars, one being Gene Kelly as Don Lockwood, who are forced to make the transition from silent films to talkies, and the problem is Jean Hagen (Oscar nominee), as Lena Lamont, her voice is like spinal torture.

When they decide to join the parade of musical films, they hire Debbie Reynolds (who got the part by winning "Miss Long Beach"! At first Kelly refused to work with her) to dub over the vocals for Lamont. Kelly's partner Donald O'Conner has some of the best dance moments, a solo called "Make Em Laugh", which he later says he improvised, and a complex duet with Kelly called "Moses Supposes". O'Conner won a Golden Globe for Best Actor.

Gene Kelly provides most of the choreography (and thus shares directing credit), and the Broadway Melody sequence that last over 15 minutes is his best stuff. It also introduced Cyd Charisse in her first part outside the chorus, one that makes eyes pop, as well as Kelly's "Gotta Dance" character arriving in the big city. This now accepted classic wasn't even nominated for Best Picture!

Quote: I ain't people - I am a shining star in the cinema firmament.
Quote2: If we have brought a little ray of sunshine into your ordinary humdrum lives, then it ain't all been for nothing. (both Jean Hagen as Lena Lamont)

Read more...