The Gay Divorcee
Mark Sandrich, 1934, bw (8.5*)
My favorite of the Fred Astaire-Ginger Rogers musical comedies, because this one is by far the funniest. The absurb plot involved bored Mimi, looking to get out of her marriage, a hired co-respondent Italian named Tonetti ("If you like-a spaghetti, stick-a with Tonetti!", is his professional motto), hilariously played by Eric Rhodes, who was in several with the dance team for comic relief - he was an expert, scene-stealing comic actor. Thanks to a very funny password phrase mix-up about fate, when she goes to meet him at a resort, she mistakes Astaire for the hired beau.
There's mucho dancing, romancing, and running around before the husband is due to arrive, including a monster 15-minute version of "The Continental", the song from this that won the Oscar® that year, beating out Cole Porter's "Night and Day", also from this film. Overall, 5 Oscar® nominations, this is a don't miss for fans of the screwball comedy and the musical era in Hollywood.
Quote: Fate is foolish, take a chance! (Tonetti) This was one confusion of their 'passcode' (of many): Fate is the fool's word for chance.
There's mucho dancing, romancing, and running around before the husband is due to arrive, including a monster 15-minute version of "The Continental", the song from this that won the Oscar® that year, beating out Cole Porter's "Night and Day", also from this film. Overall, 5 Oscar® nominations, this is a don't miss for fans of the screwball comedy and the musical era in Hollywood.
Quote: Fate is foolish, take a chance! (Tonetti) This was one confusion of their 'passcode' (of many): Fate is the fool's word for chance.
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