Take Shelter
Jeff Nichols, 2011 (8.5*)
An intense young man, brilliantly portrayed by Michael Shannon, begins having apocalyptic dreams, leading him to think a huge storm is coming. He slowly drifts toward his vision and away from his everyday duties. He begins to spend more time and money building a safe tornado shelter for his family behind their house.
This descent into obsession could have been ineffective without a performance such as Shannon’s, in his most intense role since his Oscar®-nominated part in Revolutionary Road.
His wife is played by Oscar-nominee Jessica Chastain, who had an amazing list of films released in 2011: her nominated performance in The Help; the updated Shakespeare play about the Roman military, Coriolanus, directed by Ralph Feinnes; and perhaps her best acting, in Malick’s The Tree of Life. In my opinion, she was likely nominated for her least unique and most predictable performance.
Director Jeff Nichols handles this with a subtle hand, and the film won 31 awards for 2011, most of them at film festivals. Critics have rated it higher than fans, 85 from Metacritics, 76 from fans at IMDB, far too low, in my opinion – I’m with the critics on this one.
An intense young man, brilliantly portrayed by Michael Shannon, begins having apocalyptic dreams, leading him to think a huge storm is coming. He slowly drifts toward his vision and away from his everyday duties. He begins to spend more time and money building a safe tornado shelter for his family behind their house.
This descent into obsession could have been ineffective without a performance such as Shannon’s, in his most intense role since his Oscar®-nominated part in Revolutionary Road.
His wife is played by Oscar-nominee Jessica Chastain, who had an amazing list of films released in 2011: her nominated performance in The Help; the updated Shakespeare play about the Roman military, Coriolanus, directed by Ralph Feinnes; and perhaps her best acting, in Malick’s The Tree of Life. In my opinion, she was likely nominated for her least unique and most predictable performance.
Director Jeff Nichols handles this with a subtle hand, and the film won 31 awards for 2011, most of them at film festivals. Critics have rated it higher than fans, 85 from Metacritics, 76 from fans at IMDB, far too low, in my opinion – I’m with the critics on this one.
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