Kolya
Dir: Jan Sverak, 1996 (10*)
Best Foreign Film (AA, GG)
This small and beautiful film from the Czech Republic is one of the more touching and uplifting in recent decades. The story concerns a cellist and avowed bachelor, brilliantly played the director's father, and script co-author Zdenak Sverak. His character can't find enough work as a classical cellist, and augments his paltry income by playing funeral music at church services. Needing money, he answers an ad, and marries a Russian woman with a young son for a fee (of a few thousand), so she can become a Czech citizen and get out of Russia.
She immediately disappears and the musician is stuck with her little boy, Kolya - and he grudgingly puts up with the situation. Young Andrej Shalimon is a delight, and was found in Moscow at the last minute after the director had rejected all other (thousands) auditioners. This is a wonderful film, with a beautiful story and shot that way with an uncanny eye for clarity. Young Andrej is one of the more lovable characters in the history of cinema, and I'm sure part of his magnetism is that he's not an actor, this is just how kids are.
She immediately disappears and the musician is stuck with her little boy, Kolya - and he grudgingly puts up with the situation. Young Andrej Shalimon is a delight, and was found in Moscow at the last minute after the director had rejected all other (thousands) auditioners. This is a wonderful film, with a beautiful story and shot that way with an uncanny eye for clarity. Young Andrej is one of the more lovable characters in the history of cinema, and I'm sure part of his magnetism is that he's not an actor, this is just how kids are.
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